“Poppin’ Medicine Bottles”

February 12, 2021 by

Featured Fragment –“Poppin’ Medicine Bottles”

By Katie Merli

Medicinal, pharmaceutical, and chemical bottles have a distinctive look to them, even today. Informative labels, child-proof closures, and even the well-known “Mr. Yuk” stickers from our youth set these bottles apart from other vessels. Physical modifications to bottles containing dangerous medicines separate them from their more innocent counterparts stashed away in the medicine cabinet. By the late 1800s, it was common for “chemical” or “poison” bottles to be brightly colored (generally cobalt blue or brilliant green), have embossed lettering/designs, or have the obvious labels of “POISON.” In case that wasn’t enough, some even sported the skull and crossbones to further get the point across. This was all done to ensure that the half-asleep person groping through their bathroom cabinet in the dark, as well as the illiterate, would understand that the contents inside were not meant for excessive or for any human to consume and should be used carefully (SHA 2021).

Two different examples of these “poison” bottles were recently found at the Heiskell-White archaeological site in downtown Fredericksburg, Virginia. One is a complete 3-inch tall, triangular shaped, cobalt blue bottle made by McCormick & Co. (yes, that McCormick). Their “Bee Brand” bottle (circa 1890s–1902) (Photo 1), with its bright color and noticeable shape, would have most likely contained laudanum (Figure 1). A tincture of opium and alcohol was used in the treatment of pain, cough, diarrhea, and a variety of other medical debilitations since the eighteenth century; this medication was relatively widespread and readily available. Less aggressive versions of laudanum are still prescribed today.

Photo 1: McCormick & Co. “Bee Bottle” Found During Excavations at the Heiskell-White Site in Fredericksburg, Virginia.

 

Figure 1: On Left: Oxalic Acid Label From Cassiday’s Drugstore, Downtown Fredericksburg On Right: McCormick & Co. Laudanum Bottle Label (www.dawnfarm.org 2014).


The second bottle found on the site has a small cylindrical shape with embossed lettering. Only a light aqua color, it is a less obvious example of a poison/medicinal bottle (Photo 2). “Mrs. Winslow’s Soothing Syrup,” made by Curtis & Perkins, was given to infants and children to help sooth teething, fussing, diarrhea, etc.; the primary ingredients being morphine and alcohol (Figure 2). With alarming dose recommendations (roughly 6 to 20 times as much as laudanum depending on the child’s age), it is no wonder that this syrup quickly became known as a “baby killer” medicine as one teaspoon contained enough morphine to kill the average child (Museum of Healthcare 2017). By 1911, the United States passed the Pure Food and Drug act, forcing Curtis & Perkins to remove morphine from their recipe and “soothing” from their label. With this change, Mrs. Winslow’s Soothing Syrup was able to be produced and used through the 1930s (Museum of Healthcare 2017).

Photo 2: Curtis & Perkins Bottle for Mrs. Winslow’s Soothing Syrup Found During Excavations at the Heiskell-White Site in Fredericksburg, Virginia.

 

Figure 2: Mrs. Winslow’s Soothing Syrup Trade Card (Museum of Healthcare 1887).

By the 1890s, various drug advertisements, especially for children’s medicine, began to advertise their “harmless” nature as a means to avoid association with these dangerous alternatives (Sears, Robuck & Co. 1897).

Both of these medicines were easily obtained and led many people, young and old, to become addicted to the substances. Small artifacts such as these, especially when found intact, give archaeologists a sense of what the people of the time were turning to for their day to day maladies, and remind us that maybe we don’t have it quite as bad today.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Dawnfarm.org
2014    Opiates and Medicine: Where are we, America? Electronic document, https://www.dawnfarm.org/wp-content/uploads/OpiatesAndMedicineHANDOUTS_09-23-20141.pdf, accessed February 2021.

Museum of Healthcare
2017    Mrs. Winslows Soothing Syrup: The Baby Killer https://museumofhealthcare.wordpress.com/2017/07/28/mrs-winslows-soothing-syrup-the-baby-killer/, accessed February 2021.

Sears, Robuck & Co.
2007    1897 Sears Robuck & Co. Catalog, Page 39, accessed February 2021.

Society of Historical Archaeology
2021    Poison and Chemical Bottle Styles https://sha.org/bottle/medicinal.htm#Chemicals%20and%20Poisons, accessed February 2021.

 

Filed Under: Archaeology, Consumption, Fredericksburg, Glass, Medicine Bottles, Nineteenth Century Tagged With: , , , , ,

One Shell of an Artifact: Monetaria annulus as Evidence of Fredericksburg’s Global Economic Connections

October 17, 2019 by

Featured Fragment – Cowrie Shell

By D. Brad Hatch

This month’s artifact began its life somewhere in the Indian or Pacific Ocean, likely made its way to the west coast of Africa, crossed the Atlantic, then traveled up the Rappahannock River before ending up in Fredericksburg. The object, a small cowrie shell, was recovered during Dovetail Cultural Resource Group’s 2019 excavations at the intersection of Hanover and Sophia Streets (Photo 1). Discovered in the cellar fill of the first print shop in Fredericksburg, established in the early 1840s in a 1790s-built dwelling, this shell likely dates to the eighteenth century, when this area of the town was a center of trans-Atlantic trade.

Photo 1: Cowrie Shell Recovered From Dovetail Excavations.

 

Cowries are a type of marine gastropod, similar to snails, that live primarily in the warm waters of the Indian and Pacific Oceans (Photo 2). They are generally small, measuring less than about 2 inches in length and comprise several species. The cowrie recovered by Dovetail is a Monetaria annulus, commonly known as the “ring cowrie” due to orange ring on its exterior surface.

Photo 2: Living Monetaria annulus Specimen (Wikipedia 2019).

Often found in association with archaeological contexts associated with enslaved individuals, many archaeologists have viewed these shells as indicators of African identity or spiritual practices on sites, referred to as “Africanisms,” because of the significant use of cowries as money in Africa during the historic period. However, recent research on the distribution of these shells by Barbara Heath suggests that they may be less of a sign of African identity and more of a byproduct of the economy of the trans-Atlantic slave trade (Heath 2016).

Rather than shells being brought to North America on the bodies of enslaved Africans as adornment such as necklaces, Heath argues that the vast majority of cowries recovered from archaeological contexts in Virginia were shells that could not be used for trade in Africa (Heath 2016:36). This is supported by the fact that the vast majority of cowries recovered archaeologically are Monetaria annulus, which were seen as inferior by African traders compared to Monetaria moneta (Heath 2016:36). These “seconds” would have been offloaded in the colonies, particularly during the height of the slave trade in the eighteenth century, explaining their high concentrations in port towns and the areas immediately surrounding them.

The cowrie recovered from the intersection of Sophia and Hanover Streets supports this line of reasoning and illustrates the trans-Atlantic connections in this part of Fredericksburg during the eighteenth century. This portion of the town would have been heavily focused on maritime trade in the eighteenth century, with warehouses just across Sophia Street along the waterfront and the original ferry landing and wharf only about one block away. With this in mind, it is easy to imagine this discarded shell finding its way into a refuse pile and eventually becoming incorporated into the fill for the print shop cellar when it was abandoned. Though still perhaps occasionally used by enslaved people as currency (Heath 2016:37), cowries in the context of port towns and their surroundings serve as better indicators of trans-Atlantic trade and economic strategies than they do of African identity or spiritual practices. The story of this small object therefore serves to underscore the importance of understanding the archaeological and historical context of the artifacts that we excavate.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Heath, Barbara J.
2016     Cowrie Shells, Global Trade, and Local Exchange: Piecing Together the Evidence for Colonial Virginia. Historical Archaeology 50(2):17–46.

Wikipedia
2019     Monetaria annulus. Electronic document, https://en.wikipedia.org/wiki/Monetaria_annulus, accessed October 2019.

 

Filed Under: Archaeology, Artifact, Cowrie, Eighteenth Century, Fredericksburg Tagged With: , , ,

50th Blog!

August 22, 2019 by

This month celebrates our 50th blog post and in honor of this anniversary we will be revisiting our top three most-popular blogs. To see which blogs made the cut, please follow the links below.

To date, our most popular blog, reaching almost 7,000 people on Facebook with over 30 post shares, was our March 2019 post: Music to Our Ears Mouths: A Jaw Harp Found in Fredericksburg. This blog focused on an artifact that was recovered from the Riverfront Park project focusing on the utility of x-radiography as a tool for identifying highly corroded artifacts. The jaw harp was found within the interior of the brick duplex once located at the corner of Hanover and Sophia streets.

Coming in second was our January 2019 post: Coming Unglued: The Importance of Reversibility in Artifact Conservation. This blog highlighted a poorly mended, mid-nineteenth century whiteware basin with a flow blue Scinde pattern. The object was brought to the Dovetail lab by a Stafford County resident. The vessel was repaired by a family member using an unknown adhesive which was then painted black. At the request of the owner, the archaeology lab at Dovetail not only removed the non-archival adhesive used to mend the basin but also repaired the object using archivally-stable materials.

Lastly, our third most popular entry was our February 2019 blog: When Building Fragments Come Together: Foundations at the Fredericksburg Riverfront Park. This blog was the first of several that focused on the results of our January/February 2019 data recovery at the Riverfront Park. We thought we would set the scene for upcoming installments by discussing the buildings that once dotted the landscape and noting the importance of architectural studies on historic sites.

It’s easy to see that local history wins when it comes to popularity as top three blogs are quite similar! If you have a favorite blog that did not make the top three, send us your feedback!

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Filed Under: Archaeology, Artifact, Brick Foundation, Central Chimney, Civil War, Creamware, Eighteenth-century dwelling, Entertainment, Fredericksburg, Fredericksburg Riverfront Park, Household, Nineteenth Century, Stoneware Tagged With: , , , , ,

A “Classical” Case—Creamware at the Fredericksburg Riverfront

July 24, 2019 by

By Kerry S. González

For our devoted followers, you may remember seeing a blog post back in 2015 on the creamware fragment below, found in 2013 during our Phase I survey of the Riverfront Park in Fredericksburg, Virginia (Photo 1). We are revisiting this piece because a match to the vessel was found during our 2019 Riverfront Park data recovery and an opportunity to showcase this rare circumstance was too good to pass up (Photo 2).

Photo 1: Creamware Fragment with Corinthian Column Capital and Shaft Recovered in 2013.

Photo 2: Creamware Fragment with Corinthian Column Shaft and Base (on right) Recovered in 2019.

These small fragments are a variety of ceramic called overglazed, printed creamware.  Vessels of this type were popular beginning in the 1760s. The use of the decorative Corinthian column indicates it is a ‘classical ruins’ motif typical on bowls as well as trenchers/plates and was a direct reflection of the wholesale American adoption of the Classical Revival style beginning in the mid-eighteenth century (Kaktins 2015). According to the San Francisco Ceramics Circle Newsletter (2014), Italian painters were fond of incorporating ruins into scenes with then-contemporary architecture, a style known as “capricciohas” (San Francisco Ceramics Circle 2014). While the fragments recovered from Dovetail’s 2013 and 2019 excavations do not appear to incorporate contemporaneous architecture they nonetheless highlight the popularity of including ruins in decorative motifs.

The complete plate below illustrates the ‘classical ruins’ pattern and shows the Corinthian columns observed on the sherds recovered by Dovetail. While both of these fragments were recovered from within the interior of the identified 1780 brick duplex at 717–719 Sophia Street, they were recovered roughly 10 feet apart. This distribution highlights how artifacts move around after they are thrown away, particularly on urban sites where filling and earthmoving are fairly common.

Photo 3: Example of Full Vessel with ‘Corinthian Ruins’ Motif (The Fitzwilliam Museum 2019).

 

References:

The Fitzwilliam Museum

2019    Collection Explorer-Corinthian Ruins. Electronic document, https://webapps.fitzmuseum.cam.ac.uk/explorer/index.php?qu=tin%20glazed&oid=11867, accesed July 2019.

San Francisco Ceramics Circle

2014    San Francisco Ceramic Circle: An Affiliate of the Fine Arts Museum of San Francisco. Electronic document, http://sfceramic.org/wp-content/uploads/2018/06/2014.3-newsletter-March-2014.pdf,k accessed July 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

 

Filed Under: Archaeology, Artifact, Creamware, Eighteenth Century, Fredericksburg, Fredericksburg Riverfront Park, Household Tagged With: , , ,

The Nose Knows: A Perfume Bottle from Fredericksburg

July 1, 2019 by

By: Kerry S. González

Often times local residents interested in the history of the area, or more specifically the history of their property, bring us artifacts to identify. Most recently a long-time resident of Fredericksburg brought us some materials found during recent modifications to their home. Most of their items dated to the mid-eighteenth century through the Civil War-era, but one particular artifact really piqued our interest here at Dovetail.

The artifact pictured below is perfume bottle manufactured by Richard Hudnut (Photo 1). This clear, embossed bottle was machine made, as is evidenced by the tell tale Owens machine mark, and post-dates 1919. According to Lockhart and Hoenig (2015), the Owens Bottle Company began using a logo comprising an embossed “O” in a square or box in 1919. This logo fell out of use after the company merged and was renamed the Owens-Illinois Glass Company in 1929. However, the manufacture of bottles like this likely continued to use the former logo until around 1931 (Lockhart and Hoenig 2015).

Photo 1: Richard Hudnut Perfume Bottle.

So why did we find this artifact so interesting if it is a basic perfume bottle from the early-twentieth century? During examination of the bottle we realized the scent of the perfume it once held was still present when the stopper was removed and can best be described as “powdery.”

While Richard Hudnut manufactured cosmetics early in his career, he moved to perfumes by the early-twentieth century (Figure 1). Some of his fragrances include Violet Sec (1896), Aimee (1902), Vanity (1910), and Three Flowers (1915). Based on the manufacture date of the bottle it is believed that the scent Three Flowers was once contained in the Fredericksburg bottle.

The selection of an adornment scent is very personal. The ability to not only identify this bottle type but the exact scent it once contained is a direct testament to one of archaeology’s most important missions—discovering the people in our past.

Figure 1: Richard Hudnut Advertisement From 1916 (www.Cosmeticsandskin 2019)

 

References:

 

Cosmeticsandskin.com

2019    Cosmetics and Skin-Richard Hudnut. Electronic document, https://cosmet
icsandskin.com/companies/richard-hudnut.php, accessed June 2019.

Lockart, Bill, and Russ Hoenig

2015    The Bewildering Array of Owen-Illinois Glass Co. Logos and Codes. Electronic document, https://sha.org/bottle/pdffiles/OwensIll_BLockhart.pdf, accessed June 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Filed Under: Archaeology, Artifact, Fredericksburg, Glass, Household Tagged With: , , , ,

It Was Colonel Weedon With a Candlestick on Sophia Street: Another “Clue” to Fredericksburg’s Past

May 23, 2019 by

By Kerry S. González and D. Brad Hatch

This month we are once again highlighting an artifact recovered from our Riverfront Park excavations in Fredericksburg, Virginia. The candlestick fragment pictured below is made of brass and is typical of the late Georgian/early Federal style, popular in the late-eighteenth century. This particular candlestick has been dated to circa 1795.

It is no surprise to read that candlesticks have been used for millenia with the sole purpose of holding a candle. According to Geoffrey Wills (1974) in his book Candlesticks: “a prudent eighteenth-century lady, Mrs. Whatman, noted that the first thing a housekeeper should teach her new servant is to carry her candle upright.” While the Romans are credited with creating the wicked candle, other civilizations were using similar styles of lighting for daily use or ceremonial purposes years before (candles.org 2019). These early forms of the candlestick eventually evolved into very elaborate items often made of precious metals such as gold or silver. These expensive pieces were a sign a wealth for the upper class and were used as status symbols as much as they were for lighting.

However, candles and candlesticks were not only used for lighting. During the seventeenth century the sport of ‘candle jumping’ was quite popular and often practiced at festivals (nurseryrhymesforbabies.com 2019). It reportedly involved a young girl jumping over a lit candle with the intention of trying not to extinguish the flame (nurseryrhymesforbabies.com 2019). Candles have also played a significant role in popular culture through the ages due to their ubiquity in society, particulary before the advent of electricity. The popular nursery rhyme “Jack Be Nimble” features candle jumping and may have originated as early as the seventeenth century, in relation to the sport. The continued popularity of this rhyme helps to underscore the importance of this object in society. Indeed many people still decorate their homes with candlesticks, though their function as lighting devices has declined over the past century. Nevertheless, these familiar objects are able to provide us with important information on the lifeways of people in the past, including those that lived on and near the Riverfront site in eighteenth- and nineteenth-century Fredericksburg. Recovering such an embellished object from a Fredericksburg home speaks to the possible affluence of the owner and consumer practices in our early port town.

Photo 1: Brass Candlestick Fragment Recovered From Riverfront Excavations.

Photo 2: Candle Recovered from Dovetail Excavations Beside a Complete Candlestick of the Same Style and Form (Antiques.com 2019).

References:

Antiques.com

2019    Pair of Georgian Brass Candlesticks, c. 1785. Electronic document, http://www.antiques.com/classified/Decorative-Interior/Antique-Candlesticks—Holders/Antique-Pair-of-Georgian-brass-candlesticks–C–1785?fbclid=IwAR1VbZoWa9fLSH2FjT0e7uwnAH0h3ZRfXE0NfrlKn-bLz82Rsri8QaLZeGI, accessed May 2019.

Nurseryrhymesforbabies.com

2019    The History of Jack Be Nimble. Electronic document, nurseryrhymesforbabies.com, accessed May 2019.

Wills, Geoffrey

1974    Candlesticks. Clarkson N. Potter, Inc./Publisher. New York, New York.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Filed Under: Archaeology, Artifact, Eighteenth Century, Eighteenth-century dwelling, Fredericksburg, Fredericksburg Riverfront Park, Household Tagged With: , , ,

Jaw Harp Found in Fredericksburg

March 29, 2019 by

Music To Our Ears Mouths: A Jaw Harp Found in Fredericksburg

By: Kerry Gonzalez

This month’s blog will continue our series on Dovetail’s recent excavations at the Riverfront Park in Fredericksburg, Virginia where over 10,000 artifacts were recovered. Many of these artifacts were personal items, one of which is the focus of this blog. Recovered from an area where a late-eighteenth-century brick duplex once stood at the corner of Hanover and Sophia Streets, this jaw harp speaks to the leisurely activities that took place at the site during the early-nineteenth century.

The iron alloy jaw harp, or “Jew’s harp” as they are often referred to, was identified after a series of x-ray images were taken on over 1,500 metal artifacts recovered during the project (Photo 1). X-ray is often used by archaeologists to help identify severely corroded pieces recovered during a dig. Prior to the x-ray, the team was unable to decipher the use of this iron object.

Photo 1: Top: Highly Corroded Jaw Harp. Bottom: X-ray image of jaw harp confirming identification.

This type of musical instrument is a fairly common find on archaeological sites, with the earliest discovery from Inner Mongolia dating to the eighth and fifth centuries B.C. (Elizabeth Morgan 2008). A 1,700-year-old jaw harp was also recovered from the Altai Mountains in Russia (National Geographic 2018). The Russian mouth harp had a distinctive three-tined shape unlike the more ubiquitous bow-shaped jaw harps seen today (Photo 2). While the shape of the jaw harp may have changed, the manner in which it was played varied little.

By placing the frame against their front teeth and flicking the spring, players can create a distinctive twanging sound. Different notes can be played by altering the shape of the player’s mouth. (Mackinac State Historic Parks 2018).

Photo 2: Image of Intact Jaw Harps (Worthpoint 2019).

In a thesis published on this very topic, Deirdre Anne Elizabeth Morgan (2008) asserts that the mouth harp plays an important and interesting role in courtship and procreation especially in southeastern Asia. It is suggested that the shape of the mouth-played instrument has symbology related to procreation and it may “possess an innately erotic character” (Bakx 1998). It is further suggested that because this instrument is solely played with the mouth it provides a focal point for suitors trying to lure a mate through both their mouth and their musical prowess (Elizabeth Morgan 2008).

Finding musical instruments on sites helps archaeologists understand the vernacular lifestyle of occupants and illustrates how music often helped provide a mental break from their day-to-day activities and create a comforting sense of place.

 

References:

Bakx, Phons

1998    The Jew’s harp and the Hindu God Shiva: Into the Symbolism of Procreation. The Thoughts’ Dispeller Booklet Series 1. Stichting/Foundation Antropodium, Middleburg.

Elizabeth Morgan, Deirdre Anne

2006    Organs and Bodies: The Jew’s Harp and the Anthropology of Musical Instruments. Electronic document, https://facultystaff.richmond.edu/~amcgraw/gamelan/ubc_
2008_fall_morgan_deirdre-libre.pdf, accessed March 2019.

Mackinac State Historic Parks

2018    Jaw Harps. Electronic document, https://www.mackinacparks.com/jaw-harps/, accessed March 2019.

National Geographic

2018    1,700-Year-Old Musical Instrument Found, and It Still Works. Electronic document, https://news.nationalgeographic.com/2018/01/ancient-musical-instrum
ent-mouth-jaw-harp-siberia-russia-spd/, accessed March 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Filed Under: Archaeology, Artifact, Fredericksburg, Fredericksburg Riverfront Park, Household, Nineteenth Century Tagged With: , , ,

When Building Fragments Come Together: Foundations at the Fredericksburg Riverfront Park

February 15, 2019 by

By Kerri Barile

One of the most exciting finds on an archaeological site are the remains of a building or structure—evidence of people modifying their natural world to create a controlled space. Whether it is a dwelling, store, barn, or other building, the activity of using tools to create construction materials and combining these fragments to craft shelter is one of the hallmarks of humanity. During the Riverfront Park data recovery in Fredericksburg, Virginia, Dovetail Cultural Resource Group found not one but five foundations, each a unique symbol of the city’s evolution (Photo 1). The archaeological work was done at the request of the City of Fredericksburg prior to park development. This blog is the first of several that will focus on the results of our January/February 2019 data recovery at the Riverfront Park. We thought we would set the scene for upcoming installments by discussing the buildings that once dotted the landscape. Future blogs will take the next step and describe the thousands of artifacts once used by area inhabitants and recovered during this incredible dig.

Photo 1: Adriana Moss Excavates a Brick Foundation at the Riverfront Park.

The first European settlement on the Fredericksburg riverfront occurred early in the community’s history. Even before the town had a formal street system, dwellings were being erected along the riverbanks. One of the earliest was a home that we now call the Rowe-Goolrick House, located at the southern end of the proposed park. Built in the mid-eighteenth century, this two-story, three-bay home did not face today’s street grid but rather the original town ferry lane, which ceased use shortly after the home was constructed. The foundation of the house was fashioned of local Aquia sandstone, forming a basement and support system for the frame structure above. The home was demolished in 1973 to make way for a parking lot. During the Riverfront data recovery, Dovetail uncovered the northeast corner of the foundation, still in pristine condition (Photo 2). Possible original support posts were even found in place in the basement fill. Dendrochronology (tree ring dating) is being done on these supports to date these incredible building fragments.

Photo 2: The Rowe-Goolrick House in 1933 (left) (Library of Congress 1933) and the Home’s Stone Foundation (right), Found under a Parking Lot.

On the opposite side of the park, in the northern segment near Hanover Street, the team uncovered not one but two incredible foundations. Each featured handmade brick with sand temper made in wooden molds; the foundations were fastened with mud mortar. In the northwest corner was the foundation of a one-story, four-bay brick duplex at 717–719 Sophia Street built around 1780. Interestingly, this home had a central chimney that serviced both sides of the double dwelling—a feature usually seen in New England (Photo 3). In the northeast corner was the brick foundation of the circa 1832 Ferneyhough ice house, a public ice facility. This feature measured over 30 feet in length, dug into a subsoil of very dense clay (so dense that the backhoe could not penetrate the soils) (Photo 4). Excavation of this clay with hand tools to adequately lay the deep foundation would have been incredibly challenging!

Photo 3: Brick Duplex at 717–719 Sophia Street in 1927 (left) (Library of Congress 1927) and the Building’s Foundation and Central Chimney Base Uncovered During the Dig (right).

Photo 4: The West Wall of the Ferneyhough Ice House Discovered 4 Feet Below Ground.

In the middle of the park, archaeologists found the brick foundation of a postbellum home once located at 713 Sophia Street and an antebellum duplex that once stood at 701–703 Sophia Street (Photo 5). Both of these buildings had a timber-frame structural system sitting on brick, stone, and wooden pier foundations. Each was in use for only 50 to 75 years before they were demolished, reflecting the transitory nature of life along the river where repeated flooding and changing transportation needs rendered an ever-changing landscape. All of the buildings found in the park area were someone’s home, someone’s work, someone’s life. When joined, these fragments come together to tell the story of so many who once walked in our footsteps and dwelled at our doors.

Photo 5: The Fredericksburg Riverfront Park Around 1920. From left to right: brick duplex at 717–719 Sophia Street; home at 713 Sophia Street; Home at 705 Sophia Street (not excavated during current fieldwork); and wood duplex at 701–703 Sophia Street (Shibley 1976:137).

 

References:

Library of Congress

1927    Cabin, Water Street, Fredericksburg, Virginia. Frances Benjamin Johnson Collection. Library of Congress Prints and Photographs Division, http://www.loc.gov/pictures/item/2008675923/, accessed July 2013.

1933    House, 607 Sophia Street, Fredericksburg, Fredericksburg, Virginia. Historic American Building Survey. Library of Congress Prints and Photographs Division, http://www.loc.gov/pictures/item/va0925.photos.165656p/, accessed July 2013.

Shibley, Ronald E.

1976    Historic Fredericksburg: A Pictorial History. The Donning Company/Publishers, Inc., Norfolk, Virginia.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Filed Under: Aquia Sandstone, Archaeology, Artifact, Brick Foundation, Central Chimney, Eighteenth Century, Eighteenth-century dwelling, Fredericksburg, Fredericksburg Riverfront Park, Household, Nineteenth Century Tagged With: , ,

When Wearing a Cage Was All the Rage: Crinoline and Hoop Skirts in the 19th Century

December 22, 2017 by

Featured Fragment – Cage Crinoline Fragments

By Kerry S. González

In January 2017, Dovetail conducted excavations at the site of a proposed Riverfront Park in Fredericksburg, Virginia. This was the third time Dovetail visited the area along Sophia Street in downtown Fredericksburg—reflecting its abundant prehistoric and historic activity. Over 10,000 artifacts were recovered from the three separate excavations, but for this month’s blog we are highlighting the cage crinoline fragments that were recovered from a feature identified as a Civil War trench (for more on the trench see our blog from January 2017).

The cage crinoline fragments recovered during the excavations were made of an iron alloy with some fragments sheathed in a copper alloy (see below). The cage crinoline became popular in the mid-nineteenth century, and by 1856, W.S. Thomson received a patent for the metal-caged crinoline (Thomas 2014).

 

Sample of Cage Crinoline Fragments Recovered From the Riverfront Park Site.

 

The purpose of the cage crinoline was to create a structure for the fabric of a woman’s skirt that was laid over top of the structural system. This cage was constructed of wire hoops and woven tapes, and the metal wire hoops were used to create the cage “that supported the ever-widening hems without the extra weight of layered petticoats” (Rivers Cofield 2015). The hoops were held in place by white metal alloy tubes that cinched around the wire hoops. However, the space created under the skirt by the cage made pantaloons, essentially baggy pants, vital for the virtue of the wearer to remain intact as well as to help keep the legs warm.

 

Image of Circa 1858 Cage Crinoline (The Metropolitan Museum of Art 2017: Accession number C.I.45.79.10).

 

Example of Wrapped Wire Hoops and Metal Attachment Tubes (Rivers Cofield 2015).

 

The small fragments recovered from the Riverfront Park site displayed a typical composition, with the ferrous metal hoop fragments and copper alloy tubes very apparent. This type of artifact is a great example of a ‘small find’ that could be easily misidentified, especially considering the fragmentary nature of the object. It is our hope that this blog can shed some light on this type of artifact and help lead to more accurate archaeological identifications.

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Victoriana Magazine
2016   The Crinoline or Hoop Skirt. Online documentation. http://www.victoriana.com/Victorian-Fashion/crinoline.htm, accessed December 2017.

The Metropolitan Museum of Art
2017   Cage Crinoline, Accession Number C.I.45.79.10. Electronic document, http://www.metmuseum.org/art/collection/search/104430, accessed March 2017.

Rivers Cofield, Sara
2015   Houston-LeCompt Personal Adornment. Appendix I of the Archaeological Data Recovery at the Houston-LeCompt Site (7NC-F-139;N-14517), New Castle County, Delaware. Dovetail Cultural Resource Group, Fredericksburg, Virginia.

Thomas, Pauline W.
2014   Crinoline Fashion History. Electronic document, http://www.fashion-era.com/crinolines.htm, accessed March 2017.

Filed Under: Archaeology, Artifact, Cage Crinoline, Civil War, clothing, Fredericksburg, Nineteenth Century Tagged With: , , , , ,

A is for Artifact

May 26, 2017 by

Featured Fragment – Marriott Alphabet Cup

By Kerry S. González and Dr. Kerri S. Barile

For this month’s blog we are reaching way back into the archives to one of Dovetail’s first large-scale projects. In early 2006, the City of Fredericksburg and the Inns of Fredericksburg LLC employed Dovetail to investigate the history of a lot on the corner of Caroline and Charlotte streets in Fredericksburg, Virginia, now the location of the Courtyard by Marriott. The study, completed over the course of several months, uncovered more than 300 years of layered occupational history, a common occurrence on urban archaeological sites (Photo 1). These included: 1) part of the foundation of Roger Dixon’s early- to mid-eighteenth-century store; 2) the rear section of the circa 1773–1832 Indian Queen Tavern; 3) a rear work area associated with the Indian Queen; 4) a late-1830s Servant Quarter built over both the eighteenth-century building and the Tavern; 5) an 1840s brick alley wall; and 6) an early-twentieth-century porch stoop. All told, over 70,000 artifacts were retrieved during Dovetail’s excavation, two of which will be highlighted in this post.

Photo 1: Overview of the Marriott Excavation Area Showing the Many Foundations Exposed During the Archaeology Study.

The two artifacts presented in this blog are from an alphabet cup, an uncommon find on archaeological sites. These two fragments represent two sides of one brown transfer print whiteware cup. Alphabet Wares were most commonly produced on plates, with cups seemingly being less favorable to potters. They were first made in England beginning in the late-eighteenth century with production continuing throughout the twentieth century (kovels.com). These vessels were made for children with the intent of teaching them their A,B,Cs. As seen in Photo 2 the alphabet letters on the cup found at the Marriott site are printed in a large, easy to read format. Alphabet Ware plates typically had decorated centers with scenes appealing to a child, such as animals or children’s activities. Cups were decorated with similar childlike motifs like the example shown in Photo 3 that depicts a lazy day on the river.

Photo 2: Alphabet Ware Cup Fragments Recovered During Marriott Excavation Decorated with a Brown Transfer Print and Daisy Motif.

 

Photo 3: Nineteenth-Century Brown Transfer Printed Cup with Boat Motif on Complete Cup Representing the Same Design on the Cup Found During the Marriott Excavations (Ebay 2017).

This semi-hands-on learning style was not unique to Alphabet Ware or even the late-eighteenth and nineteenth centuries. During medieval times and through the eighteenth century, children used what is known as a hornbook (Figure 1 and Photo 4). A hornbook was a paddle-shaped piece of wood with a piece of parchment or paper containing a lesson affixed to the board. The parchment or paper was mounted in a frame and covered with a very thin piece of horn or mica to keep the parchment intact and safe from a child’s dirty hands. The handle portion was purely to make holding the learning device easier for both the child and the instructor, be it a parent, nanny, or tutor. The lessons typically consisted of letters (sometimes both upper and lowercase) above Arabic numbers followed by the Lord’s Prayer.

According to Moya Cove (2006), the eighteenth-century learning style known as the ‘gingerbread method’ was a direct result of the phonic-based hornbook. In a move away from the monotony of learning letters from a board, teachers and parents alike strove to revive learning by making letters out of gingerbread (Cove 2006). However, years prior to making actual letters from gingerbread dough, baked goods decorated with letters were sold in open market stalls (faqs.org 2006).

Regardless of when and how children learned their letters, the idea of integrating learning into daily life and activities has remained a constant throughout history. Today, homes with children likely have more educational aides than can ever be used. And to think, 200 years ago, simple gingerbread dough and a cup with letters was more than enough. Perhaps they also practiced letters with a stick in the dirt but they certainly managed without all the bells and whistles we have in 2017.

 For more information on Alphabet Wares visit the Diagnostic Artifacts in Maryland Webpage which has an excellent article on this type of ceramic and date ranges for the various styles.

Figure 1: ‘Miss Campion’ Holding a Hornbook, 1661 (thenonist.com 2003).

 

Photo 4: Typical Hornbooks (thenonist.com 2003).

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Cove, Moya
2006    Sounds Familiar: The Historic of Phonics Teaching. In, Phonics: Practice, Research and Policy, edited by Maureen Lewis and Sue Ellis, pp. 105–112. Paul Chapman Publishing, Thousand Oak, California.

Ebay
2017    Staffordshire Alphabet ABC Mug. http://www.ebay.com/itm/Staffordshire-Alphabet-ABC-Mug-4-boys-and-a-row-boat-/141806025511, accessed May 2017.

faqs.org
2006    ABC Books. On-line documentation. http://www.faqs.org/childhood/A-Ar/ABC-Books.html, accessed May 2017.

Kovels.com
2011    ABC Plates; Collectors’ Concerns. http://www.kovels.com/20009070881
63/Collectors-Concerns/abc-plate.html, accessed 2011.

Thenonist.com
2003    The Humble Hornbook. On-line documentation. http://thenonist.com/index.php/
thenonist/permalink/the_humble_hornbook/, accessed May 2017.

Filed Under: Archaeology, Artifact, Consumption, Eighteenth Century, Fredericksburg, Household, Nineteenth Century, Stoneware Tagged With: , , , , ,
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