Musical Musings

Featured Fragment – Instrument Fragments of Houston-LeCompt

By Kerry S. González

Concertina and Harmonica Reeds from Site 7NC-F-139 Top row: concertina reeds Bottom row: harmonica reeds

In the summer of 2012 Dovetail Cultural Resource Group conducted a large-scale excavation at the Houston-LeCompt site in Middletown, Delaware sponsored by the Delaware Department of Transportation (DelDOT) and the Federal Highway Administration (FHWA) as part of the DelDOT Route 301 study. Thousands of artifacts were recovered, some of which have been discussed in previous blog posts (See April 2016, December 2015, and January 2015). A total of seven artifacts relating to free-reed musical instruments were recovered from the site, representing a concertina and a harmonica. The identifications of the instrument fragments were made based on size and thickness of each artifact and in consultation with professional musicians. The four harmonica fragments consist of one plate and one reed. Both concertina reed fragments have intact rivets.

Both the harmonica and concertina are small portable instruments, which likely made them more desirable to some. The harmonica is a relatively young instrument, as it was not invented until the second half of the nineteenth century in Germany. By the 1890s, the harmonica was being mass produced and sold by many catalog stores such as Sears and Roebuck (Public Broadcasting System [PBS] 2001). The concertina was developed during the early-nineteenth century. It remained popular through the nineteenth century but its allure rapidly faded during the early-twentieth century. Mass production of other instruments such as the piano and accordion aided in the decline in popularity of the concertina. Archival research has shown that the residents of the Houston-LeCompt site in the late-nineteenth and early-twentieth century were tenant farmers—individuals who traveled from parcel to parcel renting land and planting crops to support their family. Finding fragments of small musical instruments at the site helps archaeologists understand the sometimes-transient lifestyle of these individuals. Although they called many areas home, music often helped provide a mental break from their day-to-day activities and create a comforting sense of place.

 

concertina2

Girl in Kentucky playing the Anglo concertina, ca. 1920

 

harmonica

Harmonica player

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Public Broadcasting System (PBS)
2001    American Roots Series. Instruments & Innovations. Electronic document, http://www.pbs.org/americanrootsmusic/pbs_arm_ii_harmonica.html, accessed December 2014.

Time For Tea

Featured Fragment – Mended Pearlware Tea Bowl

By Kerry S. González

Tea Bowl

Pearlware Tea Bowl

Several hundreds of years before tea was being consumed in the Americas (and even Britain), it was widely consumed in Asia. European traders residing in Asia during the seventeenth and eighteenth centuries adopted the habit of daily tea drinking, and tea quickly found its way to Britain. Starting in the late-seventeenth and early-eighteenth century, tea began to be defined as “a feminized drink.” Its role in defining the domestic sphere and the concept of womanhood grew stronger as the eighteenth and nineteenth centuries wore on (Gray 2013:25). The association became so close that, eventually, women were compared to china, and “china came to stand as a metaphor for virtue” (Gray 2013:28). This same ideology was brought to the Americas, where tea quickly became a beverage staple.


The importance of tea to early American households was highlighted at the Houston-LeCompt site in New Castle County, Delaware, a site investigated on behalf of Delaware Department of Transportation (DelDOT) and the Federal Highway Administration (FHWA). A total of 107 fragments of teacups, tea saucers, and teapots was recovered from the site, serving as an indication of its roll in daily consumption patterns. The time range associated with pearlware (circa 1775−1840), the most common type of teaware recovered (n=57), likely associates these artifacts with the Houston family occupation (1780s–1820).


Decorated pearlwares from the Houston-LeCompt site exhibited a range of designs, though blue decoration predominated in different decorative patterns. The Houstons likely purchased individual pieces rather than sets of pearlware to fill out their tea set. Prior to the mid-nineteenth century, pattern books that marketed pearlware to the mid-range market illustrated designs individually, rather than as sets. Only the most elaborate, and therefore expensive, designs were marketed as sets, primarily to the upper class, and research and the archaeological investigations have proven that the Houston’s were not upper-class citizens. While it was possible to put together matching sets, it does not appear that middle-class consumers regarded matching sets as essential.


The tea bowl recovered from the Houston-LeCompt site (pictured above) is an early type of pearlware known as China Glaze with cobalt hand painting in a Chinese House motif. It is similar to the tea bowl being used in a 1725 painting entitled “An English Family at Tea” by Joseph Van Aken (pictured below). Although not all fragments from this tea bowl were recovered during the dig, the mending completed by Dovetail’s archaeological lab illustrates the vessel’s form and decoration. The pattern is a direct imitation of more expensive porcelains of the period. While the Houstons may not have assembled matching sets or imported porcelains, they still aspired to a more refined and fashionable aesthetic.

English Family At Tea

Van Aken, Joseph. An English Family at Tea. 1725.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Gray, Annie
2013 ‘The Proud Air of an Unwilling Slave’: Tea, Women, and Domesticity, c. 1700–1900. Springer Publishing. New York, New York.