That’s not a knife! This is a knife. Or is it?

By: Andy Martin

Today we’re talking about one of the less-discussed pieces of the Native American/pre-contact tool kit…the knife. There has been seemingly endless amounts of ink spilled about projectile points and axes and pottery but believe me (I’ve looked) there’s a lot less out there about knives, particularly in the mid-Atlantic.

Knives would have been every bit as crucial to the pre-contact tool kit as the above-mentioned artifacts, so where are they?  The short answer is that knives are definitely present on prehistoric archaeological sites, but not necessarily in the way we think of knives today.

First off, let’s touch on an important topic. Until the bow and arrow became widespread around 1,300 years ago, your safest bet when identifying a stone tool that has been bifacially worked (flaked to a cutting edge on both sides) is to call it a “biface.” Want to get more specific? Let’s call it a hafted biface (that’s the term I dig personally). Hafted simply means attached to a handle (or haft).  The hafted bifaces shown below (Photo 1) are beautiful examples from Texas showing what we mean by hafted biface.

Photo 1: Example of Hafted Bifaces (Texas Beyond History 2020).

 

Hafted biface is a broad but useful term covering both hafted cutting tools like knives and projectile points (bifaces meant to be thrown or shot at something). To further muddy the waters, hafted bifaces are what could be called ‘long-life tools.’ Making a biface is labor and time intensive, so these tools would often have different uses over their lives. A tool might begin its life as projectile point, but due to damage or the need to perform a different task, it might then be repurposed as a knife or a drill. This is where it’s important to try and think different about the tools people used in the past. Today, a knife is a knife (except for you Simpsons fans out there when it is actually a spoon, in which case we can see you’ve played knifey/spooney before). But a tool might segway from a spear point to a knife and eventually to a drill or an awl (a small pointed tool for piercing or puncturing holes) as damage and need dictated.

So if a hafted biface can be used as both a knife or projectile point, how do we go about determining which it is?

In incredibly rare instances, it’s obvious because the hafted biface in question has been found still attached to their bone or wooden handles. Unfortunately, such finds are uncommon because soil conditions in the mid-Atlantic aren’t very conducive to preserving organic materials like wood or bone. Intact hafted tools are usually recovered from oxygen-free, muddy environments like river bottoms or bogs, or dry environments like caves. On the coastal plain, where our site was located, the chemical composition of shell middens can also preserve organic materials. So, if we aren’t finding knives still attached to their handles, how do we figure out if something is a knife or a projectile point?

Looking carefully at the edge of the tool to see how it was used is probably the best…wait for it….tool in our arsenal for determining how a hafted biface was used.  In the case of projectile points, such as arrowheads or spearheads, you see very specific types of damage such as impact fractures—cracks that result from an arrow or spear striking a target or the ground resulting in a tip or other fragment breaking off. A great example of this is the Brewerton Corner Notched projectile point in the photo below (Photo 2, center artifact). On hafted bifaces that were used as knives you tend to get very different type of damage relating to a prying or twisting motions; this damage is referred to as a “transverse fracture.” You will also see damage on the sides of the tool related to the knife being used in a sawing motion.

Photo 2: These Projectile Points Were All Recovered from a Site in Northern Delaware. From left to right, we have a possible Bare Island, a Brewerton Corner Notched, and a Poplar Island. Recent research has shown that Bare Island and Poplar Island projectile points appear to have been in use from the Late Archaic (starting about 5,000 years ago) to the Middle Woodland (ending about 1,000 years ago) periods. The Brewerton Corner Notched point has a tighter date range of 5100-4300 years ago, within the Late Archaic period.

 

Let’s take all this data and apply it to an artifact Dovetail recently found in Delaware. First a word about our hafted biface. It’s about 47.46 cm long and 14.78 cm wide, or a little longer and thicker than a golf tee (Photo 3). It’s made of jasper, a stone found in many streams and rivers in the mid-Atlantic as well as in quarry sites in both Pennsylvania and Delaware. One such quarry site in Delaware is just a few days walk from where our artifact was recovered. As seen in the photo below, it is narrow and has serrated edges on both sides of the tool. It has also been “heat treated,” as evident by the purple base. Purposefully exposing stone to heat for a long period of time makes certain stones easier to work. The Brewerton Corner notched projectile point, pictured above, is a beautiful example of a heat-treated (also referred to as thermally altered) stone tool.

Photo 3: Thermally Altered Hafted Biface Found in Delaware by Dovetail.

 

So is the artifact in Photo 3 a knife? We think it is, and this analysis comes down to use wear. First you can see the fracture on the distal (or top) end of the hafted biface and it appears to be more of a snap or transverse fracture than an impact fracture. This means that the point may have broken while it was being used to cut or pry something as opposed to striking a target or the ground. Second, the serrations and damage along the sides of the tool makes it likely that our biface is a knife. It’s possible that our knife began its life as a more traditional-looking projectile point and broke before being further worked and used as a knife.

So, the next time someone tells you “that’s not a knife, this is a knife,” you can tell them “it’s certainly a hafted biface, now let’s check the sides for use wear!”

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Texas Beyond History
2020    Texas Beyond History. Electronic document https://www.texasbeyondhistory.net/trans-p/images/Carved-Rock-hafted- bifaces.html, accessed May 2021.

“Poppin’ Medicine Bottles”

Featured Fragment –“Poppin’ Medicine Bottles”

By Katie Merli

Medicinal, pharmaceutical, and chemical bottles have a distinctive look to them, even today. Informative labels, child-proof closures, and even the well-known “Mr. Yuk” stickers from our youth set these bottles apart from other vessels. Physical modifications to bottles containing dangerous medicines separate them from their more innocent counterparts stashed away in the medicine cabinet. By the late 1800s, it was common for “chemical” or “poison” bottles to be brightly colored (generally cobalt blue or brilliant green), have embossed lettering/designs, or have the obvious labels of “POISON.” In case that wasn’t enough, some even sported the skull and crossbones to further get the point across. This was all done to ensure that the half-asleep person groping through their bathroom cabinet in the dark, as well as the illiterate, would understand that the contents inside were not meant for excessive or for any human to consume and should be used carefully (SHA 2021).

Two different examples of these “poison” bottles were recently found at the Heiskell-White archaeological site in downtown Fredericksburg, Virginia. One is a complete 3-inch tall, triangular shaped, cobalt blue bottle made by McCormick & Co. (yes, that McCormick). Their “Bee Brand” bottle (circa 1890s–1902) (Photo 1), with its bright color and noticeable shape, would have most likely contained laudanum (Figure 1). A tincture of opium and alcohol was used in the treatment of pain, cough, diarrhea, and a variety of other medical debilitations since the eighteenth century; this medication was relatively widespread and readily available. Less aggressive versions of laudanum are still prescribed today.

Photo 1: McCormick & Co. “Bee Bottle” Found During Excavations at the Heiskell-White Site in Fredericksburg, Virginia.

 

Figure 1: On Left: Oxalic Acid Label From Cassiday’s Drugstore, Downtown Fredericksburg On Right: McCormick & Co. Laudanum Bottle Label (www.dawnfarm.org 2014).


The second bottle found on the site has a small cylindrical shape with embossed lettering. Only a light aqua color, it is a less obvious example of a poison/medicinal bottle (Photo 2). “Mrs. Winslow’s Soothing Syrup,” made by Curtis & Perkins, was given to infants and children to help sooth teething, fussing, diarrhea, etc.; the primary ingredients being morphine and alcohol (Figure 2). With alarming dose recommendations (roughly 6 to 20 times as much as laudanum depending on the child’s age), it is no wonder that this syrup quickly became known as a “baby killer” medicine as one teaspoon contained enough morphine to kill the average child (Museum of Healthcare 2017). By 1911, the United States passed the Pure Food and Drug act, forcing Curtis & Perkins to remove morphine from their recipe and “soothing” from their label. With this change, Mrs. Winslow’s Soothing Syrup was able to be produced and used through the 1930s (Museum of Healthcare 2017).

Photo 2: Curtis & Perkins Bottle for Mrs. Winslow’s Soothing Syrup Found During Excavations at the Heiskell-White Site in Fredericksburg, Virginia.

 

Figure 2: Mrs. Winslow’s Soothing Syrup Trade Card (Museum of Healthcare 1887).

By the 1890s, various drug advertisements, especially for children’s medicine, began to advertise their “harmless” nature as a means to avoid association with these dangerous alternatives (Sears, Robuck & Co. 1897).

Both of these medicines were easily obtained and led many people, young and old, to become addicted to the substances. Small artifacts such as these, especially when found intact, give archaeologists a sense of what the people of the time were turning to for their day to day maladies, and remind us that maybe we don’t have it quite as bad today.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Dawnfarm.org
2014    Opiates and Medicine: Where are we, America? Electronic document, https://www.dawnfarm.org/wp-content/uploads/OpiatesAndMedicineHANDOUTS_09-23-20141.pdf, accessed February 2021.

Museum of Healthcare
2017    Mrs. Winslows Soothing Syrup: The Baby Killer https://museumofhealthcare.wordpress.com/2017/07/28/mrs-winslows-soothing-syrup-the-baby-killer/, accessed February 2021.

Sears, Robuck & Co.
2007    1897 Sears Robuck & Co. Catalog, Page 39, accessed February 2021.

Society of Historical Archaeology
2021    Poison and Chemical Bottle Styles https://sha.org/bottle/medicinal.htm#Chemicals%20and%20Poisons, accessed February 2021.

 

What’s THAT Doing HERE? Unexpected Discoveries at the Strawberry Run Site in Alexandria, Virginia

By Joe Blondino

In June 2019, Dovetail conducted an archaeological survey of a project area located along Strawberry Run in Alexandria, Virginia. At first, the project area seemed like it might not have much to offer. Most of the project area was located along the banks of a stream, a narrow and frequently inundated floodplain, and steep slopes to the uplands—none of which make particularly good places to live. However, the ravine in which it was located lies between two Civil War forts: Fort Worth to the northwest and Fort Williams to the east. Largely because of the potential for the project area to contain Civil War artifacts, a Phase I archaeological survey was conducted and included use of metal detectors, which is a proven way to locate Civil War artifacts.

Initially, the metal detector survey located only modern trash. The shovel test pits, on the other hand, produced prehistoric artifacts, including a projectile point dating to the Middle Archaic period (circa 8,000–5,500 years ago). The biggest surprise came as the crew was crossing the stream to access the western part of the project area; they looked down into the streambed and saw a large edged cobble! This was a piece of quartzite that someone in the prehistoric period had chipped into a “preform”—a roughly shaped “blank” that could later be modified into a finished stone tool (Photo 1). We spent much of the remainder of the day scouring the banks of the stream and finding a considerable number of artifacts that represented prehistoric populations taking advantage of the cobbles eroding out of the banks of the stream and using them to produce preforms. These preforms would then be carried off to be made into finished tools elsewhere. We thought we might find Civil War artifacts, but had stumbled across an entirely different type of site! Because no other sites like this were known to be located nearby, we saw this as an opportunity to learn more about prehistoric quartzite “quarrying” and recommended additional archaeological work.

Photo 1: Quartzite Biface Recovered from Site 44AX0240.

The results of the Phase II study, which involved digging additional test pits, as well as a few larger test units, revealed that prehistoric activity at the site was mostly restricted to the streambed itself, with relatively little on the adjacent floodplain. But we also got another surprise. Several of the test pits produced fired Civil War bullets. Now we have Civil War stuff on our prehistoric site! So, we got the metal detector back out. In all, we recovered eight lead projectiles including a Civil War-era Minié ball, five round balls, and two pieces of buckshot, all of which had been fired and impacted (Photo 2). This was a bit of a mystery too, as no battles were fought in the vicinity of the site, and the projectiles were all recovered from the valley floor rather than the steep valley walls, as might be expected if the site was used as a firing range with the valley walls as a backstop. We believe that the projectiles may represent unloading of firearms, as they were all of types that would have been fired from muzzle-loading weapons. Once such a firearm is loaded, it can be unloaded only through extraction using a “worm,” a corkscrew-like tool that taps into the projectile so it can be pulled out of the muzzle (Photo 3), or through discharge of the weapon. It may be the case that soldiers from one or both of the nearby forts used the Strawberry Run valley as a convenient and safe place to unload weapons by discharging them into the valley floor, perhaps during changing of guardpost personnel or when loaded weapons required maintenance.

Photo 2: Minié Ball and Round Musket Balls Recovered from Site 44AX0240.

Photo 3: Example of a ‘Pulled’ Bullet Showing Hole Where it was ‘Wormed’.

Dovetail’s work at the Strawberry Run Site is an excellent example of the kinds of unexpected discoveries that are often made in archaeology and goes to show the importance of thorough examination of all parts of the landscape. You never know what you’re going to find!

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

One Shell of an Artifact: Monetaria annulus as Evidence of Fredericksburg’s Global Economic Connections

Featured Fragment – Cowrie Shell

By D. Brad Hatch

This month’s artifact began its life somewhere in the Indian or Pacific Ocean, likely made its way to the west coast of Africa, crossed the Atlantic, then traveled up the Rappahannock River before ending up in Fredericksburg. The object, a small cowrie shell, was recovered during Dovetail Cultural Resource Group’s 2019 excavations at the intersection of Hanover and Sophia Streets (Photo 1). Discovered in the cellar fill of the first print shop in Fredericksburg, established in the early 1840s in a 1790s-built dwelling, this shell likely dates to the eighteenth century, when this area of the town was a center of trans-Atlantic trade.

Photo 1: Cowrie Shell Recovered From Dovetail Excavations.

 

Cowries are a type of marine gastropod, similar to snails, that live primarily in the warm waters of the Indian and Pacific Oceans (Photo 2). They are generally small, measuring less than about 2 inches in length and comprise several species. The cowrie recovered by Dovetail is a Monetaria annulus, commonly known as the “ring cowrie” due to orange ring on its exterior surface.

Photo 2: Living Monetaria annulus Specimen (Wikipedia 2019).

Often found in association with archaeological contexts associated with enslaved individuals, many archaeologists have viewed these shells as indicators of African identity or spiritual practices on sites, referred to as “Africanisms,” because of the significant use of cowries as money in Africa during the historic period. However, recent research on the distribution of these shells by Barbara Heath suggests that they may be less of a sign of African identity and more of a byproduct of the economy of the trans-Atlantic slave trade (Heath 2016).

Rather than shells being brought to North America on the bodies of enslaved Africans as adornment such as necklaces, Heath argues that the vast majority of cowries recovered from archaeological contexts in Virginia were shells that could not be used for trade in Africa (Heath 2016:36). This is supported by the fact that the vast majority of cowries recovered archaeologically are Monetaria annulus, which were seen as inferior by African traders compared to Monetaria moneta (Heath 2016:36). These “seconds” would have been offloaded in the colonies, particularly during the height of the slave trade in the eighteenth century, explaining their high concentrations in port towns and the areas immediately surrounding them.

The cowrie recovered from the intersection of Sophia and Hanover Streets supports this line of reasoning and illustrates the trans-Atlantic connections in this part of Fredericksburg during the eighteenth century. This portion of the town would have been heavily focused on maritime trade in the eighteenth century, with warehouses just across Sophia Street along the waterfront and the original ferry landing and wharf only about one block away. With this in mind, it is easy to imagine this discarded shell finding its way into a refuse pile and eventually becoming incorporated into the fill for the print shop cellar when it was abandoned. Though still perhaps occasionally used by enslaved people as currency (Heath 2016:37), cowries in the context of port towns and their surroundings serve as better indicators of trans-Atlantic trade and economic strategies than they do of African identity or spiritual practices. The story of this small object therefore serves to underscore the importance of understanding the archaeological and historical context of the artifacts that we excavate.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Heath, Barbara J.
2016     Cowrie Shells, Global Trade, and Local Exchange: Piecing Together the Evidence for Colonial Virginia. Historical Archaeology 50(2):17–46.

Wikipedia
2019     Monetaria annulus. Electronic document, https://en.wikipedia.org/wiki/Monetaria_annulus, accessed October 2019.

 

Hindsite is 20/20: A Look at Historic Eyewear

Featured Fragment – Historic Eyewear

By Kerry S. González

We’ve decided to continue our series highlighting the artifacts recovered from the Trogdon-Squirrel Creek site in Randolph County, North Carolina for the month of September. On behalf of the North Carolina Department of Transportation (NCDOT), Dovetail Cultural Resource Group conducted data recovery excavations at the site, guided by the data recovery plan authored by NCDOT (Overton 2014).

The artifacts pictured below are eye glass lens fragments dating to the early-twentieth century (Photo 1). Both lenses are round as opposed to earlier styles that were more ovoid. The lens on the right is made of crown glass with a diamond-beveled edge and was concavo-convex in design, placing it in the 1900–1930-time period (John Tull, personal communication 2017). Furthermore, the lens was tested with a Topcon Lensmeter, a machine that determines the strength of a prescription. This particular lens gave a reading of +4 indicating that the owner of the glasses was moderately farsighted. The second lens was too scratched to provide a prescription reading but given its shape it likely dates from 1900–1930 as well.

 

Photo 1: Eye Glass Lenses Recovered From Trogdon-Squirrel Creek Site.


 

According to several sources, the Romans are credited with using a form of magnified glass to see small items at a larger scale (allabouteyes.com 2019). However, it wasn’t until the 1200s that we see the first evidence of wearable glasses (allabouteyes.com 2019). The first written reference to eyeglasses is in a book titled De iride (“On the Rainbow”) by Robert Grosseteste (circa 1235) (OpticianU 2018). The book mentions using a lens to “read the smallest letters at incredible distances” (OpticianU 2018). Reportedly, these “primitive glass-blown lenses were set into wooden or leather frames (or occasionally, frames made from animal horn) and then held before the face or perched on the nose” and were primarily used by monks for reading, as cited in Archives of Ophthalmology (2002) (Figure 1).

 

Figure 1: La Mer des Histoires (Letocha and Dreyfus 2002).


 

It wasn’t until the 1700s that eyewear began to improve and from this point on eyeglasses evolved at a rapid pace (allabouteyes.com 2019). While Benjamin Franklin is often credited for inventing bifocals in 1784 when he glued his distance glasses and reading glasses on top of each other, some historians believe he is unduly credited with this invention due to his historic importance (OpticianU 2018). By the late-nineteenth century glasses were being mass produced and advertised in places like the Sears & Roebuck catalog where one could even give themselves an eye exam to determine the strength of glasses needed (Figure 2).

 

Figure 2: Sears & Roebuck Eyeglass Advertisement (Sears, Roebuck and Catalogue Company 1897).


 

It is artifacts like these eyeglass fragments that really speak to the occupants of a site. They are tangible and relatable to the young and old, especially when you hold up a lens and see through the eyes of its owner 100 years ago.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Allabouteyes.com
2019 See Into The Past: The Fascinating History of Eyeglasses. Electronic document, https://allabouteyes.com/see-past-fascinating-history-eyeglasses, accessed September 2019.

Letocha, J., and M. Dreyfus
2002 Archives of ophthalmology 2002. Early Prints Depicting Eyeglasses (Figure 4). Electronic document, https://www.semanticscholar.org/paper/Early-prints-depicting-eyeglasses.-Letocha-Dreyfus/f952e6a9a6509a4da61e6e48b1e61a6d91331818, accessed September 2019.

OpticianU
2018 Eyeglass History – Seeing Through the Ages. Electronic document, https://www.op
ticiantraining.com/eyeglass-history-vision-through-the-ages/, accessed, September 2019.

Overton, Brian
2014 Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

Sears, Roebuck and Company Catalogue
1897 The Sears, Roebuck Catalogue. Sears, Roebuck and Company. Skyhorse Publishing, Inc., New York, New York.

50th Blog!

This month celebrates our 50th blog post and in honor of this anniversary we will be revisiting our top three most-popular blogs. To see which blogs made the cut, please follow the links below.

To date, our most popular blog, reaching almost 7,000 people on Facebook with over 30 post shares, was our March 2019 post: Music to Our Ears Mouths: A Jaw Harp Found in Fredericksburg. This blog focused on an artifact that was recovered from the Riverfront Park project focusing on the utility of x-radiography as a tool for identifying highly corroded artifacts. The jaw harp was found within the interior of the brick duplex once located at the corner of Hanover and Sophia streets.

Coming in second was our January 2019 post: Coming Unglued: The Importance of Reversibility in Artifact Conservation. This blog highlighted a poorly mended, mid-nineteenth century whiteware basin with a flow blue Scinde pattern. The object was brought to the Dovetail lab by a Stafford County resident. The vessel was repaired by a family member using an unknown adhesive which was then painted black. At the request of the owner, the archaeology lab at Dovetail not only removed the non-archival adhesive used to mend the basin but also repaired the object using archivally-stable materials.

Lastly, our third most popular entry was our February 2019 blog: When Building Fragments Come Together: Foundations at the Fredericksburg Riverfront Park. This blog was the first of several that focused on the results of our January/February 2019 data recovery at the Riverfront Park. We thought we would set the scene for upcoming installments by discussing the buildings that once dotted the landscape and noting the importance of architectural studies on historic sites.

It’s easy to see that local history wins when it comes to popularity as top three blogs are quite similar! If you have a favorite blog that did not make the top three, send us your feedback!

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

A “Classical” Case—Creamware at the Fredericksburg Riverfront

By Kerry S. González

For our devoted followers, you may remember seeing a blog post back in 2015 on the creamware fragment below, found in 2013 during our Phase I survey of the Riverfront Park in Fredericksburg, Virginia (Photo 1). We are revisiting this piece because a match to the vessel was found during our 2019 Riverfront Park data recovery and an opportunity to showcase this rare circumstance was too good to pass up (Photo 2).

Photo 1: Creamware Fragment with Corinthian Column Capital and Shaft Recovered in 2013.

Photo 2: Creamware Fragment with Corinthian Column Shaft and Base (on right) Recovered in 2019.

These small fragments are a variety of ceramic called overglazed, printed creamware.  Vessels of this type were popular beginning in the 1760s. The use of the decorative Corinthian column indicates it is a ‘classical ruins’ motif typical on bowls as well as trenchers/plates and was a direct reflection of the wholesale American adoption of the Classical Revival style beginning in the mid-eighteenth century (Kaktins 2015). According to the San Francisco Ceramics Circle Newsletter (2014), Italian painters were fond of incorporating ruins into scenes with then-contemporary architecture, a style known as “capricciohas” (San Francisco Ceramics Circle 2014). While the fragments recovered from Dovetail’s 2013 and 2019 excavations do not appear to incorporate contemporaneous architecture they nonetheless highlight the popularity of including ruins in decorative motifs.

The complete plate below illustrates the ‘classical ruins’ pattern and shows the Corinthian columns observed on the sherds recovered by Dovetail. While both of these fragments were recovered from within the interior of the identified 1780 brick duplex at 717–719 Sophia Street, they were recovered roughly 10 feet apart. This distribution highlights how artifacts move around after they are thrown away, particularly on urban sites where filling and earthmoving are fairly common.

Photo 3: Example of Full Vessel with ‘Corinthian Ruins’ Motif (The Fitzwilliam Museum 2019).

 

References:

The Fitzwilliam Museum

2019    Collection Explorer-Corinthian Ruins. Electronic document, https://webapps.fitzmuseum.cam.ac.uk/explorer/index.php?qu=tin%20glazed&oid=11867, accesed July 2019.

San Francisco Ceramics Circle

2014    San Francisco Ceramic Circle: An Affiliate of the Fine Arts Museum of San Francisco. Electronic document, http://sfceramic.org/wp-content/uploads/2018/06/2014.3-newsletter-March-2014.pdf,k accessed July 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

 

The Nose Knows: A Perfume Bottle from Fredericksburg

By: Kerry S. González

Often times local residents interested in the history of the area, or more specifically the history of their property, bring us artifacts to identify. Most recently a long-time resident of Fredericksburg brought us some materials found during recent modifications to their home. Most of their items dated to the mid-eighteenth century through the Civil War-era, but one particular artifact really piqued our interest here at Dovetail.

The artifact pictured below is perfume bottle manufactured by Richard Hudnut (Photo 1). This clear, embossed bottle was machine made, as is evidenced by the tell tale Owens machine mark, and post-dates 1919. According to Lockhart and Hoenig (2015), the Owens Bottle Company began using a logo comprising an embossed “O” in a square or box in 1919. This logo fell out of use after the company merged and was renamed the Owens-Illinois Glass Company in 1929. However, the manufacture of bottles like this likely continued to use the former logo until around 1931 (Lockhart and Hoenig 2015).

Photo 1: Richard Hudnut Perfume Bottle.

So why did we find this artifact so interesting if it is a basic perfume bottle from the early-twentieth century? During examination of the bottle we realized the scent of the perfume it once held was still present when the stopper was removed and can best be described as “powdery.”

While Richard Hudnut manufactured cosmetics early in his career, he moved to perfumes by the early-twentieth century (Figure 1). Some of his fragrances include Violet Sec (1896), Aimee (1902), Vanity (1910), and Three Flowers (1915). Based on the manufacture date of the bottle it is believed that the scent Three Flowers was once contained in the Fredericksburg bottle.

The selection of an adornment scent is very personal. The ability to not only identify this bottle type but the exact scent it once contained is a direct testament to one of archaeology’s most important missions—discovering the people in our past.

Figure 1: Richard Hudnut Advertisement From 1916 (www.Cosmeticsandskin 2019)

 

References:

 

Cosmeticsandskin.com

2019    Cosmetics and Skin-Richard Hudnut. Electronic document, https://cosmet
icsandskin.com/companies/richard-hudnut.php, accessed June 2019.

Lockart, Bill, and Russ Hoenig

2015    The Bewildering Array of Owen-Illinois Glass Co. Logos and Codes. Electronic document, https://sha.org/bottle/pdffiles/OwensIll_BLockhart.pdf, accessed June 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

It Was Colonel Weedon With a Candlestick on Sophia Street: Another “Clue” to Fredericksburg’s Past

By Kerry S. González and D. Brad Hatch

This month we are once again highlighting an artifact recovered from our Riverfront Park excavations in Fredericksburg, Virginia. The candlestick fragment pictured below is made of brass and is typical of the late Georgian/early Federal style, popular in the late-eighteenth century. This particular candlestick has been dated to circa 1795.

It is no surprise to read that candlesticks have been used for millenia with the sole purpose of holding a candle. According to Geoffrey Wills (1974) in his book Candlesticks: “a prudent eighteenth-century lady, Mrs. Whatman, noted that the first thing a housekeeper should teach her new servant is to carry her candle upright.” While the Romans are credited with creating the wicked candle, other civilizations were using similar styles of lighting for daily use or ceremonial purposes years before (candles.org 2019). These early forms of the candlestick eventually evolved into very elaborate items often made of precious metals such as gold or silver. These expensive pieces were a sign a wealth for the upper class and were used as status symbols as much as they were for lighting.

However, candles and candlesticks were not only used for lighting. During the seventeenth century the sport of ‘candle jumping’ was quite popular and often practiced at festivals (nurseryrhymesforbabies.com 2019). It reportedly involved a young girl jumping over a lit candle with the intention of trying not to extinguish the flame (nurseryrhymesforbabies.com 2019). Candles have also played a significant role in popular culture through the ages due to their ubiquity in society, particulary before the advent of electricity. The popular nursery rhyme “Jack Be Nimble” features candle jumping and may have originated as early as the seventeenth century, in relation to the sport. The continued popularity of this rhyme helps to underscore the importance of this object in society. Indeed many people still decorate their homes with candlesticks, though their function as lighting devices has declined over the past century. Nevertheless, these familiar objects are able to provide us with important information on the lifeways of people in the past, including those that lived on and near the Riverfront site in eighteenth- and nineteenth-century Fredericksburg. Recovering such an embellished object from a Fredericksburg home speaks to the possible affluence of the owner and consumer practices in our early port town.

Photo 1: Brass Candlestick Fragment Recovered From Riverfront Excavations.

Photo 2: Candle Recovered from Dovetail Excavations Beside a Complete Candlestick of the Same Style and Form (Antiques.com 2019).

References:

Antiques.com

2019    Pair of Georgian Brass Candlesticks, c. 1785. Electronic document, http://www.antiques.com/classified/Decorative-Interior/Antique-Candlesticks—Holders/Antique-Pair-of-Georgian-brass-candlesticks–C–1785?fbclid=IwAR1VbZoWa9fLSH2FjT0e7uwnAH0h3ZRfXE0NfrlKn-bLz82Rsri8QaLZeGI, accessed May 2019.

Nurseryrhymesforbabies.com

2019    The History of Jack Be Nimble. Electronic document, nurseryrhymesforbabies.com, accessed May 2019.

Wills, Geoffrey

1974    Candlesticks. Clarkson N. Potter, Inc./Publisher. New York, New York.

 

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Jaw Harp Found in Fredericksburg

Music To Our Ears Mouths: A Jaw Harp Found in Fredericksburg

By: Kerry Gonzalez

This month’s blog will continue our series on Dovetail’s recent excavations at the Riverfront Park in Fredericksburg, Virginia where over 10,000 artifacts were recovered. Many of these artifacts were personal items, one of which is the focus of this blog. Recovered from an area where a late-eighteenth-century brick duplex once stood at the corner of Hanover and Sophia Streets, this jaw harp speaks to the leisurely activities that took place at the site during the early-nineteenth century.

The iron alloy jaw harp, or “Jew’s harp” as they are often referred to, was identified after a series of x-ray images were taken on over 1,500 metal artifacts recovered during the project (Photo 1). X-ray is often used by archaeologists to help identify severely corroded pieces recovered during a dig. Prior to the x-ray, the team was unable to decipher the use of this iron object.

Photo 1: Top: Highly Corroded Jaw Harp. Bottom: X-ray image of jaw harp confirming identification.

This type of musical instrument is a fairly common find on archaeological sites, with the earliest discovery from Inner Mongolia dating to the eighth and fifth centuries B.C. (Elizabeth Morgan 2008). A 1,700-year-old jaw harp was also recovered from the Altai Mountains in Russia (National Geographic 2018). The Russian mouth harp had a distinctive three-tined shape unlike the more ubiquitous bow-shaped jaw harps seen today (Photo 2). While the shape of the jaw harp may have changed, the manner in which it was played varied little.

By placing the frame against their front teeth and flicking the spring, players can create a distinctive twanging sound. Different notes can be played by altering the shape of the player’s mouth. (Mackinac State Historic Parks 2018).

Photo 2: Image of Intact Jaw Harps (Worthpoint 2019).

In a thesis published on this very topic, Deirdre Anne Elizabeth Morgan (2008) asserts that the mouth harp plays an important and interesting role in courtship and procreation especially in southeastern Asia. It is suggested that the shape of the mouth-played instrument has symbology related to procreation and it may “possess an innately erotic character” (Bakx 1998). It is further suggested that because this instrument is solely played with the mouth it provides a focal point for suitors trying to lure a mate through both their mouth and their musical prowess (Elizabeth Morgan 2008).

Finding musical instruments on sites helps archaeologists understand the vernacular lifestyle of occupants and illustrates how music often helped provide a mental break from their day-to-day activities and create a comforting sense of place.

 

References:

Bakx, Phons

1998    The Jew’s harp and the Hindu God Shiva: Into the Symbolism of Procreation. The Thoughts’ Dispeller Booklet Series 1. Stichting/Foundation Antropodium, Middleburg.

Elizabeth Morgan, Deirdre Anne

2006    Organs and Bodies: The Jew’s Harp and the Anthropology of Musical Instruments. Electronic document, https://facultystaff.richmond.edu/~amcgraw/gamelan/ubc_
2008_fall_morgan_deirdre-libre.pdf, accessed March 2019.

Mackinac State Historic Parks

2018    Jaw Harps. Electronic document, https://www.mackinacparks.com/jaw-harps/, accessed March 2019.

National Geographic

2018    1,700-Year-Old Musical Instrument Found, and It Still Works. Electronic document, https://news.nationalgeographic.com/2018/01/ancient-musical-instrum
ent-mouth-jaw-harp-siberia-russia-spd/, accessed March 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.