“Poppin’ Medicine Bottles”

Featured Fragment –“Poppin’ Medicine Bottles”

By Katie Merli

Medicinal, pharmaceutical, and chemical bottles have a distinctive look to them, even today. Informative labels, child-proof closures, and even the well-known “Mr. Yuk” stickers from our youth set these bottles apart from other vessels. Physical modifications to bottles containing dangerous medicines separate them from their more innocent counterparts stashed away in the medicine cabinet. By the late 1800s, it was common for “chemical” or “poison” bottles to be brightly colored (generally cobalt blue or brilliant green), have embossed lettering/designs, or have the obvious labels of “POISON.” In case that wasn’t enough, some even sported the skull and crossbones to further get the point across. This was all done to ensure that the half-asleep person groping through their bathroom cabinet in the dark, as well as the illiterate, would understand that the contents inside were not meant for excessive or for any human to consume and should be used carefully (SHA 2021).

Two different examples of these “poison” bottles were recently found at the Heiskell-White archaeological site in downtown Fredericksburg, Virginia. One is a complete 3-inch tall, triangular shaped, cobalt blue bottle made by McCormick & Co. (yes, that McCormick). Their “Bee Brand” bottle (circa 1890s–1902) (Photo 1), with its bright color and noticeable shape, would have most likely contained laudanum (Figure 1). A tincture of opium and alcohol was used in the treatment of pain, cough, diarrhea, and a variety of other medical debilitations since the eighteenth century; this medication was relatively widespread and readily available. Less aggressive versions of laudanum are still prescribed today.

Photo 1: McCormick & Co. “Bee Bottle” Found During Excavations at the Heiskell-White Site in Fredericksburg, Virginia.

 

Figure 1: On Left: Oxalic Acid Label From Cassiday’s Drugstore, Downtown Fredericksburg On Right: McCormick & Co. Laudanum Bottle Label (www.dawnfarm.org 2014).


The second bottle found on the site has a small cylindrical shape with embossed lettering. Only a light aqua color, it is a less obvious example of a poison/medicinal bottle (Photo 2). “Mrs. Winslow’s Soothing Syrup,” made by Curtis & Perkins, was given to infants and children to help sooth teething, fussing, diarrhea, etc.; the primary ingredients being morphine and alcohol (Figure 2). With alarming dose recommendations (roughly 6 to 20 times as much as laudanum depending on the child’s age), it is no wonder that this syrup quickly became known as a “baby killer” medicine as one teaspoon contained enough morphine to kill the average child (Museum of Healthcare 2017). By 1911, the United States passed the Pure Food and Drug act, forcing Curtis & Perkins to remove morphine from their recipe and “soothing” from their label. With this change, Mrs. Winslow’s Soothing Syrup was able to be produced and used through the 1930s (Museum of Healthcare 2017).

Photo 2: Curtis & Perkins Bottle for Mrs. Winslow’s Soothing Syrup Found During Excavations at the Heiskell-White Site in Fredericksburg, Virginia.

 

Figure 2: Mrs. Winslow’s Soothing Syrup Trade Card (Museum of Healthcare 1887).

By the 1890s, various drug advertisements, especially for children’s medicine, began to advertise their “harmless” nature as a means to avoid association with these dangerous alternatives (Sears, Robuck & Co. 1897).

Both of these medicines were easily obtained and led many people, young and old, to become addicted to the substances. Small artifacts such as these, especially when found intact, give archaeologists a sense of what the people of the time were turning to for their day to day maladies, and remind us that maybe we don’t have it quite as bad today.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Dawnfarm.org
2014    Opiates and Medicine: Where are we, America? Electronic document, https://www.dawnfarm.org/wp-content/uploads/OpiatesAndMedicineHANDOUTS_09-23-20141.pdf, accessed February 2021.

Museum of Healthcare
2017    Mrs. Winslows Soothing Syrup: The Baby Killer https://museumofhealthcare.wordpress.com/2017/07/28/mrs-winslows-soothing-syrup-the-baby-killer/, accessed February 2021.

Sears, Robuck & Co.
2007    1897 Sears Robuck & Co. Catalog, Page 39, accessed February 2021.

Society of Historical Archaeology
2021    Poison and Chemical Bottle Styles https://sha.org/bottle/medicinal.htm#Chemicals%20and%20Poisons, accessed February 2021.

 

The HumunGIS Importance of Mapping Data at Archaeological Sites

Featured Fragment – HumunGIS Importance of GIS

By D. Brad Hatch and Emily Calhoun

Since this past Wednesday (November 13, 2019) was Geographic Information System (GIS) Day, we’ve decided to dedicate this week’s blog to highlighting how archaeologists use GIS as a tool to better understand and interpret archaeological sites. We use GIS (through the computer program ArcGIS) to link archaeological data to specific geographic locations. Once we can link our data geographically across an area, we can begin to tease out patterns in the data that might not have been noticed otherwise. To provide an example of the archaeological application of GIS we will be returning to the Trogdon-Squirrel Creek site in Randolph County, North Carolina, which was the subject of a number of previous blog posts, including posts on eyewear, frog gigs, pottery, and more. On behalf of the North Carolina Department of Transportation (NCDOT), Dovetail Cultural Resource Group conducted data recovery excavations at the site, guided by the data recovery plan authored by NCDOT (Overton 2014).

Archaeologists have demonstrated that plow zone artifact and soil chemical distributions have the potential to reveal important aspects about the use of space on sites (e.g., Fesler 2010; King and Miller 1987; King 1988; Pogue 1988b; Wilkins 2009). Artifact data for spatial analysis at the Trogdon-Squirrel Creek site were collected through the excavation of 80 2 x 2-foot (0.6 x 0.6-m) test units; soil chemical data was collected using the systematic method of taking a sample every 20 feet (6.1 m) on grid across the site. Analysts plotted artifact and soil chemical distributions using ArcGIS, revealing significant patterns for several artifact types and soil chemicals. ArcGIS plots patterns by creating contour maps of distributions. Essentially the computer program takes the raw artifact or soil data and connects locations with similar values to create lines. These lines represent values or counts, which when plotted geographically can show how values change across a site. Where there is little change in value, the lines are spaced farther apart. Where the values rise or fall rapidly, the lines are closer together. The resulting map is similar to a topographic map, which plots changes in elevation.

Dovetail used ArcGIS to plot domestic artifacts across the site. In this case, the most illustrative domestic materials included ceramics and animal bone (Figures 1 and 2). The distribution of ceramics revealed two concentrations of artifacts. The first, and most distinct, occurred off of the southeast corner of the dwelling. This concentration of ceramics is indicative of increased refuse disposal and activity in this portion of the site, which likely stemmed from the traffic between the dwelling and the outbuilding located to the southeast. The second concentration, which is less intense and smaller in size, occurred near the southwest corner of the dwelling. This small peak, which was also noted in the distribution of architectural artifacts, likely represents a disposal area near a window or at the edge of the backyard where refuse was conveniently deposited. Overall, the ceramic distribution matches other historic artifact distributions, indicating that the northern yard was kept relatively free of refuse and that the southern yard functioned as a disposal and work space.

Figure 1: Distribution Map of All Ceramics.

 

Figure 2: Distribution Map of Bone.

Soil chemicals often provide archaeologists with important additional evidence about activity at sites when more traditional artifact types are not present. Different chemicals are associated with different activities. For example, phosphorus is generally interpreted as representing organic refuse, calcium tends to represent bone and shell, and potassium and magnesium are interpreted as representing ash or burning (McCoy 2016:25–26; Pogue 1988a:3; Wilkins 2009:20). At this site the distribution of phosphorus tended to concentrate near the dwelling and an outbuilding (Figure 3). Specifically, the primary area of high phosphorus concentration occurred in a heavily used area between the two buildings. This general pattern coincides with the historic artifact distributions on site, and is almost certainly related to the disposal of domestic refuse. Dovetail archaeologists concluded, based on the high phosphorous signature, that the outbuilding was likely a detached kitchen. Refuse discarded from the outbuilding was also noted down the hill, to the east, as well as between the outbuilding and the dwelling. There are also two small peaks of high phosphorus concentration located to the north of the dwelling. These peaks are associated with the locations of two tree stumps.

Figure 3: Distribution Map of Phosphorus.

As you can see, the application of GIS-based mapping of artifact and soil chemical distributions at the Trogdon-Squirrel Creek site was vital to our interpretation of the site. In this case the computation tools within the ArcGIS program helped to reveal activity areas. These GIS-generated maps even helped to define the location of an outbuilding, likely a kitchen. Without this analytical tool archaeologists may have overlooked the kitchen, because no foundation or obvious architectural feature marked its location. Archaeologists have many analytical tools in their toolbelts, but GIS is definitely one of the most powerful for analyzing past landscapes!

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:
Fesler, Garrett
2010     Excavation the Spaces and Interpreting the Places of Enslaved Africans and Their Descendants. In Cabin, Quarter, Plantation: Architecture and Landscapes of North American Slavery, edited by Clifton Ellis and Rebecca Ginsburg, pp. 27–49. Yale University Press, New Haven, Connecticut.

King, Julia A.
1988     A Comparative Midden Analysis of a Household and inn in St. Mary’s City, Maryland. Historical Archaeology 22(2):17−39.

King, Julia A., and Henry M. Miller
1987     The View from the Midden: An Analysis of Midden Distribution and Composition at the van Sweringen Site, St. Mary’s City, Maryland. Historical Archaeology 21(2):37−59.

McCoy, Curtis A.
2016     Colluvial Deposition of Anthropogenic Soils at the Ripley Site, Ripley, NY. Master’s Thesis, Department of Anthropology/Archaeology, Mercyhurst University, Erie, Pennsylvania.

Overton, Brian
2014     Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

Pogue, Dennis J.
1988a     Anthrosols and the Analysis of Archaeological Sites in a Plowed Context: The King’s Reach Site. Northeast Historical Archaeology 17:1–15.

1988b     Spatial Analysis of the King’s Reach Plantation Homelot, Ca. 1690−1715. Historical Archaeology 22(2):40–56.

Wilkins, Andrew P.
2009     Identifying 18th Century Hidden Landscapes at Stratford Hall Plantation Using Portable X-Ray Fluorescence Phosphorus Readings on Plowzone Samples. Master’s Thesis, Department of Anthropology/Historical Archaeology, University of Massachusetts, Boston, Massachusetts.

50th Blog!

This month celebrates our 50th blog post and in honor of this anniversary we will be revisiting our top three most-popular blogs. To see which blogs made the cut, please follow the links below.

To date, our most popular blog, reaching almost 7,000 people on Facebook with over 30 post shares, was our March 2019 post: Music to Our Ears Mouths: A Jaw Harp Found in Fredericksburg. This blog focused on an artifact that was recovered from the Riverfront Park project focusing on the utility of x-radiography as a tool for identifying highly corroded artifacts. The jaw harp was found within the interior of the brick duplex once located at the corner of Hanover and Sophia streets.

Coming in second was our January 2019 post: Coming Unglued: The Importance of Reversibility in Artifact Conservation. This blog highlighted a poorly mended, mid-nineteenth century whiteware basin with a flow blue Scinde pattern. The object was brought to the Dovetail lab by a Stafford County resident. The vessel was repaired by a family member using an unknown adhesive which was then painted black. At the request of the owner, the archaeology lab at Dovetail not only removed the non-archival adhesive used to mend the basin but also repaired the object using archivally-stable materials.

Lastly, our third most popular entry was our February 2019 blog: When Building Fragments Come Together: Foundations at the Fredericksburg Riverfront Park. This blog was the first of several that focused on the results of our January/February 2019 data recovery at the Riverfront Park. We thought we would set the scene for upcoming installments by discussing the buildings that once dotted the landscape and noting the importance of architectural studies on historic sites.

It’s easy to see that local history wins when it comes to popularity as top three blogs are quite similar! If you have a favorite blog that did not make the top three, send us your feedback!

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

The Nose Knows: A Perfume Bottle from Fredericksburg

By: Kerry S. González

Often times local residents interested in the history of the area, or more specifically the history of their property, bring us artifacts to identify. Most recently a long-time resident of Fredericksburg brought us some materials found during recent modifications to their home. Most of their items dated to the mid-eighteenth century through the Civil War-era, but one particular artifact really piqued our interest here at Dovetail.

The artifact pictured below is perfume bottle manufactured by Richard Hudnut (Photo 1). This clear, embossed bottle was machine made, as is evidenced by the tell tale Owens machine mark, and post-dates 1919. According to Lockhart and Hoenig (2015), the Owens Bottle Company began using a logo comprising an embossed “O” in a square or box in 1919. This logo fell out of use after the company merged and was renamed the Owens-Illinois Glass Company in 1929. However, the manufacture of bottles like this likely continued to use the former logo until around 1931 (Lockhart and Hoenig 2015).

Photo 1: Richard Hudnut Perfume Bottle.

So why did we find this artifact so interesting if it is a basic perfume bottle from the early-twentieth century? During examination of the bottle we realized the scent of the perfume it once held was still present when the stopper was removed and can best be described as “powdery.”

While Richard Hudnut manufactured cosmetics early in his career, he moved to perfumes by the early-twentieth century (Figure 1). Some of his fragrances include Violet Sec (1896), Aimee (1902), Vanity (1910), and Three Flowers (1915). Based on the manufacture date of the bottle it is believed that the scent Three Flowers was once contained in the Fredericksburg bottle.

The selection of an adornment scent is very personal. The ability to not only identify this bottle type but the exact scent it once contained is a direct testament to one of archaeology’s most important missions—discovering the people in our past.

Figure 1: Richard Hudnut Advertisement From 1916 (www.Cosmeticsandskin 2019)

 

References:

 

Cosmeticsandskin.com

2019    Cosmetics and Skin-Richard Hudnut. Electronic document, https://cosmet
icsandskin.com/companies/richard-hudnut.php, accessed June 2019.

Lockart, Bill, and Russ Hoenig

2015    The Bewildering Array of Owen-Illinois Glass Co. Logos and Codes. Electronic document, https://sha.org/bottle/pdffiles/OwensIll_BLockhart.pdf, accessed June 2019.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Dovetail Needs Your Help!

By Kerry Gonzalez

Continuing our blog series on artifacts recovered from our Riverfront Park excavations in Fredericksburg, we would like to highlight the wine bottle seal pictured below. Marking wine bottles with personalized seals were done near the end of the bottle making process. While the fully formed wine bottle was still warm the glassblower would affix a ‘glob’ of glass to the bottle and emboss it with a seal. We are asking for your help in dating this particular artifact. We know the seal recovered at the Riverfront Park site is from a bottle of Chateau Lafite that dates between 1810 and 1850. We also believe the “B&G” in relief in the center of the seal represents Barton and Guestier, a wine house in Bordeaux, France that at one time unsuccessfully attempted to acquire Lafite.   

Wine seals marked with Chateau Lafite have been found at several estates in the United States, including Monticello, the home of Thomas Jefferson. Jefferson’s desires to aquire Chateau Lafite wines were so enthusiastic that he wrote a letter to the president of bordeaux parlement, M. Pichard, on February 22, 1788, requesting 250 bottles (Hailman 2006:148).

“While passing through Bordeaux of May last year, I have the honor of appearing at your house to pay my respects and to thank you for all the kindness you showed to Mr. Barclay, our Consul (in Paris) in the unpleasant affair that happened to him in Bordeaux. In hastening to renew my thanks, I take the liberty of adding therto the request of a favor. The excellent wines named de la Fite are of your vineyard. If you have any of the 1784 vintage, and would accomadte me with 250 bottles, I would be infinitely obliged to you. If it would be possible to have them bottled and packed at your estate, it would doubtless be a guarantee that the wine was genuine, and the drawing off and so forth well done”

Now you know as much as we do about this artifact, and we hope some of you wine lovers out there have thoughts as to a specific time period for this interesting piece.  Please contact us through Facebook with any comments or suggestions!

References:

Hailman, John

2006    Thomas Jefferson on Wine. University Press of Mississippi, Jackson.

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Coming Unglued: The Importance of Reversibility in Artifact Conservation

By Reagan Andersen

In this month’s blog, we are highlighting a whiteware basin with a flow blue Scinde pattern from the mid-nineteenth century. The object was brought to the Dovetail lab by a curious owner from Stafford County.  The vessel had once been broken into several large pieces that someone had attempted to glue back together (Photo 1). With permission from the owner, the archaeology lab at Dovetail conserved the bowl in a more appropriate and safe manner. Through a step-by-step analysis, this blog will discuss the conservation methods utilized to preserve the bowl’s integrity.

Photo 1: The Basin Before Conservation Efforts Began. Notice the giant glob of glue put in place of a missing sherd!

The first step was to remove the adhesive that had been used to refit the bowl when it originally broke. In order to do this, we had to first determine what type of glue was used and how, or if, it could be removed. With its black color, we believed the adhesive to be JB Weld—a high-temperature epoxy adhesive that is not removable. In order to get a clearer answer, we took the bowl to the Virginia Department of Historic Resources (DHR) in Richmond and with the help of Katherine Ridgway, a conservator at DHR, we received great news. It was not JB Weld, but just a normal, removable, adhesive that had been painted over with either black paint or sharpie in an attempt to blend in with the dark blue pattern.  We quickly got to work removing the black paint and as much of the glue as possible with just cotton balls and acetone. However, the adhesive was not budging. The next step was to put the bowl into an acetone chamber, where the bowl is placed in a bag or container along with acetone-filled jars so that the acetone vapors can break down the adhesive and allow for separation (Photo 2). After a few weeks of being in the acetone chamber, the pieces had finally fallen apart and it was time to start removing the leftover residue and begin re-mending. In order to remove the excess residue we soaked the sherds in acetone and then used scalpels to peel the adhesive off of the fragments.

Photo 2: The Basin After Removal of Adhesive, But Before Acetone Chamber.

To re-mend the basin, we used Paraloid B-72: a clear, thermoplastic resin that is commonly used in conservation and restoration. It is more flexible than most other adhesives and, most importantly, it is dissolvable in acetone! It is highly important that whatever was done to the basin must be reversible; this is true with all conservation and restoration work. In the lab at Dovetail, we regularly use B-72 for labeling artifacts and mending ceramics or glass.

After several months of work, the bowl was finally finished (Photo 3). We hope to continue restoration by filling in the damaged, colorless areas with compatible paint colors. So, next time you break your grandmother’s favorite dinner plate, ask an archaeologist to repair it for you!

Photo 3: The Finished Basin.

 

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

Turning and Burning

Turning and Burning: Locally Made Pottery from the Trogdon-Squirrel Creek Assemblage

By D. Brad Hatch

July continues our series of posts highlighting the artifacts recovered from the Trogdon-Squirrel Creek site (31Rd1426/1426**) in Randolph County, North Carolina. Dovetail Cultural Resource Group conducted data recovery excavations at this site on behalf of the North Carolina Department of Transportation (NCDOT), guided by the data recovery plan authored by NCDOT (Overton 2014). Of the over 8,000 ceramic sherds recovered from the Trogdon-Squirrel Creek site, nearly half (3,826) were made in North Carolina. These locally produced wares underscore the importance of the ceramic industry to the economy of piedmont North Carolina and the reliance of residents on locally manufactured goods. This blog post focuses on some of the wares whose makers can be identified in order to illustrate the number of potters in the region and how far people would go to buy their goods. For a more detailed treatment of these ceramics click here.

Marked, or otherwise identifiable, wares from at least six different potters were identified in the collection gathered from the site (Table; Photos 1–7). Dates of production for these potters, when they were not known from historical references, were estimated by adding 20 years to their birth date and extending the span to the date of their death. While the production span for some of these wares may be slightly shorter or longer, they are probably not exceedingly different. The majority of these potters began production prior to 1850. However, most had a production range that extended through the latter half of the nineteenth century. Notably, all of these potters had kilns in Randolph County during at least some portion of their career. Jacob Craven had at least three kilns during his lifetime, one of which was in Randolph County, while the remaining two were located just south of the county line in Moore County. All of the kilns used by these potters during their periods of production were located within 14 miles (22.5 km) of the Trogdon-Squirrel Creek site and half were within 10 miles (16.1 km) (Figure).

PotterKiln LocationDate of Production
Jacob D. CravenRandolph and Moore Counties, NCca. 1847-1895
Enoch S. CravenRandolph County, NCca. 1830-1893
William N. CravenRandolph County, NC1842-1857
Nathan B. DicksRandolph County, NCca. 1875-1918
Alfred L. MoodyRandolph County, NCca. 1880-1924
Chester WebsterRandolph County, NCca. 1840-1882
Table: Identified Potters Represented in the Trogdon-Squirrel Creek Assemblage.

A brief glimpse of this extraordinary grouping of locally made ceramics from the Trogdon-Squirrel Creek site provides important insight into the development of the ceramic industry in Randolph County from approximately 1840 to the early-twentieth century, a period when the potting tradition in this region was flourishing. It also suggests that local residents were paramount in supporting these artisans throughout history, allowing potters and their families to put down roots and prosper in the region. As a result, many of the descendants of the potters identified in this assemblage still produce ceramic wares in the area and pottery production remains an important aspect of the economy in the North Carolina piedmont.

Photo 1: Locally Made Coarse Earthenware Jar Fragment with Sine Wave Decoration, Attributed to Nathan Dicks.

Photo 1: Locally Made Coarse Earthenware Jar Fragment with Sine Wave Decoration, Attributed to Nathan Dicks.

Photo 2: Locally Made Earthenware Chamber Pot with N.B. Dicks Mark.

Photo 2: Locally Made Earthenware Chamber Pot with N.B. Dicks Mark.

 

 

 

 

 

 

 

Photo 3: Locally Made Stoneware Jug with W.N. Craven Mark.

Photo 3: Locally Made Stoneware Jug with W.N. Craven Mark.

Photo 4: Locally Made Stoneware Pot with E.S. Craven Mark.

Photo 4: Locally Made Stoneware Pot with E.S. Craven Mark.

 

 

 

 

 

 

 

 

Photo 5: Locally Made Stoneware Jug or Pitcher with J.D. Craven and Capacity Mark.

Photo 5: Locally Made Stoneware Jug or Pitcher with J.D. Craven and Capacity Mark.

Photo 6: Locally Made Stoneware Vessel with A.L. Moody Mark.

Photo 6: Locally Made Stoneware Vessel with A.L. Moody Mark.

 

 

 

 

 

 

 

 

 

Photo 7: Locally Made Stoneware Jug with Bird Decoration Attributed to Chester Webster.

Photo 7: Locally Made Stoneware Jug with Bird Decoration Attributed to Chester Webster.

 

Figure: Map Showing Location of Kilns for Identified Potters in Relation to the Trogdon-Squirrel Creek Site.

Figure: Map Showing Location of Kilns for Identified Potters in Relation to the Trogdon-Squirrel Creek Site.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Overton, Brian
2014    Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

Check out Jefferson Patterson Park’s Diagnostic Artifacts webpage for more images of stonewares recovered from the Trogdon-Squirrel Creek Site.

Discussions with local North Carolina potters, scholars, and collectors of North Carolina pottery were instrumental in the identification of the locally produced wares from the Trogdon-Squirrel Creek site. Specifically, I would like to express my gratitude to Hal Pugh and Eleanor Minnock-Pugh of New Salem Pottery, Mary Farrell of Westmoore Pottery, and Tommy Cranford. 

Medicine in a Glass

Featured Fragment – Mexican Mustang Liniment for Man and Beast: Patent Medicines at the Squirrel Creek Site

By Michelle C. Salvato

This month we are once again returning to our series highlighting the artifacts recovered from the Trogdon-Squirrel Creek site (31Rd1426/1426**) in Randolph County, North Carolina. Dovetail Cultural Resource Group conducted data recovery excavations at this site on behalf of the North Carolina Department of Transportation (NCDOT), guided by the data recovery plan authored by NCDOT (Overton 2014). Nearly 2,000 glass artifacts were recovered from the Trogdon-Squirrel Creek site with approximately 5 percent of the recovered glass shards definitively determined to be medicine bottles. At least 10 different medicines were definitively identified during the analysis of the site.

Diagnostic Patent Medicine Bottles Recovered from 31Rd1426/1426** (Meyer 2011; Odyssey Marine Exploration, Inc. 2017).
Manufacturing CompanyPatent Medicine NameDate Range
Abraham B. Sands & CompanySands' Sarsaparilla1835-1875
Andrew's Manufacturing CompanyPortion of Bottle Not RecoveredUnidentified
Dr. David Jayne’s “Family Medicines”Dr. D Jayne's Vermifuge TonicMid-1830s – 1906*
Fleming Brothers CompanyDr. Mclane's American Worm Specific1844-1906*
H.E. Bucklen & CompanyDr. King’s New Discovery (Sample Bottle)1878-1906*
H.E. Bucklen & CompanyDr. King’s New Discovery for Consumption1878-1906*
The Herb Medicine CompanyLightning Hot DropsUnidentified
Lyon Manufacturing CompanyMexican Mustang Liniment1850s-1906*
National Remedy CompanyPortion of Bottle Not RecoveredUnidentified
UnidentifiedRamons Nerve & Bone LinimentUnidentified
*Date reflects passage of the Pure Food and Drug Act of 1906 when end date was not identified

Archaeologically, patent medicine bottles include an incredibly diverse assortment of styles, colors, and sizes, and their content include a wide variety of concoctions. From bitters and tonics to sarsaparillas, a vast range of home remedies were available to the population for personal use. Remedies were often strengthened using ingredients such as morphine, cocaine, or opium but then sold to the public to cure anything from colic in infants to venereal diseases to “female complaints” (Hagley Museum and Library n.d.). Many of the bottle fragments found at the Trogdon-Squirrel Creek site contained large enough portions of embossed lettering to identify which patent medicine it contained, thus helping to more accurately date the site.

Dr. King’s Discovery Patent Medicine Sample Bottle Recovered From Site 31Rd1426/1426**.

Dr. King’s Discovery Patent Medicine Sample Bottle Recovered From Site 31Rd1426/1426**.

Almost Complete “Ramon’s Nerve and Bone Liniment” Patent Medicine Bottle Recovered From Site 31Rd1426/1426**.

Almost Complete “Ramon’s Nerve and Bone Liniment” Patent Medicine Bottle Recovered From Site 31Rd1426/1426**.

Two of the recovered bottle fragments are sample- and full-size “Dr. King’s New Discovery” medicine bottles. This medicine, nationally recognized by the mid-1880s, was marketed as a cure for consumption, known today as tuberculosis (Meyer 2011). A circa-1907 ad even claims that the remedy is “the greatest life saver of all time” (Griffin 2013). Like so many other patent medicines of the time, “Dr. King’s New Discovery” contained questionable ingredients by today’s medical standards. A 1905 article by Samuel Hopkins Adams in Colliers Magazine warns, “As it is a morphine and chloroform mixture, ‘Dr. King’s New discovery for Consumption’ is well calculated to strike terror to the doctors or to any other class or profession, except, perhaps, the undertakers” (Meyer 2011).

A circa-1907 Dr. King’s New Discovery Ad Claiming the “Life-Saving” Properties of the Remedy (Griffin 2013).

A circa-1907 Dr. King’s New Discovery Ad Claiming the “Life-Saving” Properties of the Remedy (Griffin 2013).

A fragment of a “Mexican Mustang Liniment” bottle was also recovered from the site. Also dating to the latter half of the nineteenth century, this medication serves as yet another example of the supposed versatility of these patent medicines. Not only did they claim to cure almost any human ailment, one particular ad advertises that the medicine was to be used on animals and humans alike! Another late-nineteenth-century ad for “Mexican Mustang Liniment” shows an oversized bottle of the medicine as well as a small bottle in a young girl’s hand. Ads like these are incredibly helpful to archaeologists as they often note the ingredients and uses of the bottle while also containing an image of the bottle itself.

A circa-1880s Ad For “Mexican Mustang Liniment” Produced By The Lyon Manufacturing Company Shows That The Medicine Can Cure Both Horses And Humans (Meyer 2012).

A circa-1880s Ad For “Mexican Mustang Liniment” Produced By The Lyon Manufacturing Company Shows That The Medicine Can Cure Both Horses And Humans (Meyer 2012).

A Circa-1880s Ad For “Mexican Mustang Liniment” That Rather Helpfully Shows A Full Size Bottle Of The Medicine. Surrounding the bottle are a young girl and a number of adorable animals all presumably taking the “safe” medicine (Meyer 2012).

A Circa-1880s Ad For “Mexican Mustang Liniment” That Rather Helpfully Shows A Full Size Bottle Of The Medicine. Surrounding the bottle are a young girl and a number of adorable animals all presumably taking the “safe” medicine (Meyer 2012).

Patent medicines very quickly fell out of favor with the public following the passage of the Pure Food and Drug Act in 1906 which required the listing of remedies’ contents. It is no wonder that the inhabitants of the Trogdon-Squirrel Creek site had so many different kinds of patent medicine bottles leading up to this act though; most medicines did not work to actually cure any disease but just masked the symptoms with a bad combination of drugs and alcohol. Luckily for us we do not have to take concoctions of morphine and chloroform (and who knows what else!) in order to cure common ailments today.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References:

Griffin, Jessica D.
2013    Dr. King’s New Discovery for Coughs and Colds, H. E. Bucklen & Co., Chicago, ILL.  WordPress.com.  Electronic document, https://oldmainartifacts.wordpress.com/, accessed May 2017.

Hagley Museum and Library
n.d.      History of Patent Medicine. Electronic document, https://www.hagley.org/research/digital-exhibits/history-patent-medicine , accessed June 2018.

Meyer, Ferdinand, V
2011    Peachridge Glass Website. Electronic document, http://www.peachridgeglass.com/, accessed May 2017.

Meyer, Ferdinand, V
2012    Peachridge Glass Website. Electronic document, http://www.peachridgeglass.com/, accessed June 2018.

Odyssey Marine Exploration, Inc.
2017    Odyssey’s Virtual Museum Website. Electronic document, http://odysseysvirtualmuseum.com/, accessed May 2017.

Overton, Brian
2014    Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

A Not So Perfect Match

Featured Fragment – Nineteenth-Century Table Settings

By D. Brad Hatch, Ph.D. and Kerry S. González

This month’s blog continues our series highlighting the artifacts recovered from the Trogdon-Squirrel Creek site in Randolph County, North Carolina. On behalf of the North Carolina Department of Transportation (NCDOT), Dovetail Cultural Resource Group conducted data recovery excavations at the site, guided by the data recovery plan authored by NCDOT (Overton 2014).

The grouping of artifacts highlighted in Photo 1 were chosen to reflect ceramic consumption patterns at the site. While analyzing and processing the assemblage Dovetail staff decided to do a mock-up of a nineteenth-century table setting, mostly with artifacts recovered from the site. [Note: The kerosene lamp is a reproduction however several pieces of glass from the chimney of a similar lamp were recovered at the Trogdon-Squirrel Creek site.] The photograph below was taken in the basement of Belle Grove Plantation, birthplace of President James Madison, which provided a historically accurate setting for our recreation.

Photo 1: Nineteenth-Century Table Setting Recreated with Artifacts Recovered from the Trogdon-Squirrel Creek Site. Note blue-edged plates.

 

The primary purpose of staging this photograph was to highlight that matched sets in a table setting, like we have today, were not always the norm. What we learned from analyzing the collection was that the inhabitants of the Trogdon-Squirrel Creek site appear to have chosen decorated refined earthenwares from various decorative categories (transfer printed, hand painted, and dipt/edged wares) (Photo 2). The assemblage illustrated that there was a stronger preference for the less-expensive decorative types (edged wares) which was mixed with a lower density of more expensive ceramics that were transfer printed.

Perhaps the most important factor influencing ceramic use at the site was socioeconomic status. Based on historical and archaeological evidence, the inhabitants of the Trogdon-Squirrel Creek site appear to have been lower-middling to middling in terms of their status. In a general sense, the known status of the site occupants appears to correlate well with their respective decorative ceramic assemblages.

Photo 2: Sample of Various Decorative Motifs Recovered From Trogdon-Squirrel Creek Site. From left: brown transfer print, hand painted, and dipt.

 

The fact that many of the transfer printed vessels from the Trogdon-Squirrel Creek site were mismatched underscores the economic constraints of the site inhabitants, since they were unable to make the large capital outlays necessary to purchase full sets of these costly wares. While the majority of the transfer printed ware in the assemblage were decorated with blue ink, suggesting at least an attempt to match the color palette, there were also black, red, and brown printed vessels. Residents at the Trogdon-Squirrel Creek site do appear to have possessed matching, or at least almost matched, place settings of blue-edged wares. These cheaper wares would have been less of a financial burden, but still would have allowed the site occupants to display their knowledge of fashionable dining practices.

Keep this in mind the next time you are out shopping for new dishes. Perhaps you don’t need to worry about everything matching and instead just keep with a similar color palette. In fact, there are several articles available online that give a step by step guide on how to mismatch your tables wares which suggest picking a color or playing with different shapes.

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Overton, Brian
2014    Archaeological Data Recovery Plan: Site 31Rd1426, Randolph County, North Carolina. North Carolina Department of Transportation Human Environment Section, Raleigh, North Carolina.

The Tines They Are A Changing

Featured Fragment – Eighteenth-Century Forks

By Kerry S. González

Dovetail Cultural Resource Group recently installed two exhibits highlighting archaeological finds on behalf of the Delaware Department of Transportation and the Federal Highway Administration: one at the Smyrna Rest Area in Smyrna, Delaware, and the other at the Delaware Welcome Center in Newark, Delaware. The exhibits feature artifacts recovered during the excavations at the Houston-LeCompt (7NC-F-139) and Armstrong-Rogers sites (7NC-F-135).

 

Close Up of Shelf Showing Fork on Display in Houston-LeCompt Exhibit.

 

View of Armstrong-Rogers Archaeological Exhibit.

 

This month’s blog focuses on two of those artifacts, one found at each site. We are using two similar artifacts found during our excavations in Delaware to: one, shamelessly plug the recently installed artifact exhibits on the Houston-LeCompt and Armstrong-Rogers sites; and two, highlight an artifact associated with eating, which seems appropriate considering it is Thanksgiving week.

The fork recovered from the Armstrong-Rogers site consists only of the tangs and shoulders but even these seemingly insignificant attributes provided information on its date and use. Around 1770 the shoulders of a fork became more squared and less rounded, suggesting that the fork from Armstrong-Rogers predates 1770 (Dunning 2000:38). Additionally, according to Phil Dunning (2000:38), “average-quality forks began to be made with three tines, which had previously been found only on fine cutlery.” While this fork is not displayed in the exhibit on the Armstrong-Rogers site, many other artifacts are on display and highlight the late-eighteenth and early-nineteenth occupation of the site.

 

Fork Recovered from the Armstrong-Rogers Site, Conserved by the MAC Lab. Image courtesy of the Maryland Archaeological Conservation Lab (MAC Lab).

 

The fork from the Houston-LeCompt site, which can been seen in the newly installed exhibit at the Smyrna Rest Area, is a two-tined fork with a bone handle. Based on the design of the scored bone handle and rounded shoulders, as discussed above, this fork also predates 1770 (Dunning 2000).

Fork and Scored Bone Handle Recovered from the Houston-LeCompt Site, Conserved at the MAC Lab. Image courtesy of the MAC Lab.

 

During the mid-eighteenth century, forks were gaining popularity but were not used in the same manner as today. The fork’s main role was to hold the food in place while being cut with a knife. A person would then deliver the bite-sized piece using the knife into their mouth, leaving the fork with no task other than to anchor the food. According to Ivor Noël Hume (1969), as forks became more popular at the end of the eighteenth century, the knife became more rounded, all but reversing their roles.

 

The Industrious ‘Prentice Grown Rich and Sheriff of London: Industry and Idleness (Hogarth 1747).

 

When you sit down to dinner this Holiday season and pick up your trusty three- or four-tined fork, think of how far we have come since the eighteenth century. And if your holiday travels take you through Delaware and you happen to pass by one of the above-mentioned rest areas, please stop by and take a peek at our exhibits!

http://www.visitdelaware.com/listings/smyrna-rest-stop-and-information-center/381/

http://www.visitdelaware.com/listings/delaware-welcome-center/2029/

 

Any distributions of blog content, including text or images, should reference this blog in full citation. Data contained herein is the property of Dovetail Cultural Resource Group and its affiliates.

References: 

Dunning, Phil
2000    Composite Table Cutlery from 1700 to 1930. In Studies in Material Culture, edited by Karlis  Karklin, pp. 32–45.  The Society for Historical Archaeology, California University Press, California, Pennsylvania.

Hogarth, William
1747    The Industrious ‘Prentice Grown Rich and Sheriff of London: Industry and Idleness (Plate 8). Metropolitan Museum of Art, https://www.metmuseum.org/art/
collection/search/398593, accessed November 2017.

Noël Hume, Ivor
1969    A Guide to Artifacts of Colonial America. Vintage Books, New York